Chat Jet
Franz Amann
Ei Arakawa
Nikolas Gambaroff
Monika Baer
Will Benedict
Andy Boot
Jana Euler
Manuel Gorkiewicz
Wade Guyton
Clemens Hollerer
Alex Hubbard
Jutta Koether
Michael Krebber
Anita Leisz
Lotte Lyon
Birgit Megerle
Chiara Minchio
Ute Müller
Reto Pulfer
Blake Rayne
Pamela Rosenkranz
Stefan Sandner
Gedi Sibony
Reena Spaulings
Lucie Stahl
Cheyney Thompson
Jessica Warboys
Alexander Wolff
Sandro Droschl
Christian Egger
Painting 'Beyond' The Medium. The works shown at the first internationally themed group exhibition Chat Jet, presented on the occasion of the Kunstlerhaus re-opening, are dedicated to current approaches in painting that might be labelled as painting beside itself, or outside of its original frame.
The works shown at the first internationally themed group exhibition Chat
Jet, presented on the occasion of the Künstlerhaus re-opening, are dedicated
to current approaches in painting that might be labelled as painting beside
itself, or outside of its original frame. An essential thread of this current
discourse on painting becomes disengaged from the frame to embrace the
space beyond the canvas, as evident for instance in Lotte Lyon’s wall piece in
the exhibition venue’s foyer or in Alexander Wolff’s living exploration piece in
the apse. At the same time, classical materials like pigment, acrylic, and canvas experience a more restrained use, with painting playing out on all kinds of
surfaces and with widely divergent materials and “grounds” being employed.
The idea takes centre stage in lieu of artisanship, as is illustrated by the works
of Monika Baer, Michael Krebber, or Andy Boot shown in the exhibition,
which position “painting” as context-specific, or even with humoristic connotations, but always extending beyond its medium.
The prevalence and popularity of the question of the “status quo” of “painting” is paralleled by the manifold answers of this cherished “old aunt”. Martin
Kippenberger, for one, asserted in 1991: “Simply to hang a painting on the
wall and say that it’s art is dreadful. The whole network is important! ... When
you say ART, then everything possible belongs to it. In a gallery that is also
the floor, the architecture, the color of the walls. All of this is just as important as the picture on the wall itself.”1 A number of artists in this exhibition
have created works based on these considerations, and similar ones, yet with
temporally shifted and more refined knowledge of media. In pieces by the
artists Will Benedict or Lucie Stahl, as well as those shown in this exhibition
by Birgit Megerle, painting is seen to be reflected in the medium of photo
graphy. Here, the at times media-induced doubling of the pictures is keenly
discussed in broader contexts, whereby the specific nature of each work is
significant and no one aspect is seen to overlay another. The artists explore
possible variances in their own position in reaction to developments and
discussions about “painting” while simultaneously embedded in an elaborate
network of fellow artists, curators, critics, gallerists, and collectors.
The exhibition Chat Jet – Painting ‹Beyond› The Medium and the works it
presents are devoted to such issues, to this “buzz” that may even swell to a
performative mantra, as in the performances by Ei Arakawa: “Running painting painting Running Out Painting Painting is Watching.” Many of the artistic
approaches taken in the exhibition seem to roughly unite, fostering questions
as to how such performative practices or delegated performativity (as in the
case of Reena Spaulings and her “Michael” series), digital strategies (as in
the case of Wade Guyton), or linguistic considerations (thematised by Stefan
Sandner, Jana Euler, Arakawa/Gambaroff, or Blake Rayne) take painterly
recourse to the canvas – questions as to how painting reacts to the challenges of an increasingly mediatised society characterised by a proliferation
of technology and a globalised structure.
What are the media, structures, and surfaces employed in painting nowadays, and have we reached a point where the image is fractured into fragments? How does it remain possible to demarcate and define painting when
it faces these greater mediatic challenges and even enters into alliances with
techniques that were formerly alien to painting? Might painting’s reflexive
game with its own remnants generally refer to the breakdown of separation
in the field of visual culture, and what are the conditions for viewing?
The concluding question influencing the exhibition is: Why pursue painting,
and how, in today’s digital age?
Artists: Franz Amann, Ei Arakawa / Nikolas Gambaroff, Monika Baer,
Will Benedict, Andy Boot, Jana Euler, Manuel Gorkiewicz, Wade Guyton,
Clemens Hollerer, Alex Hubbard, Jutta Koether, Michael Krebber,
Anita Leisz, Lotte Lyon, Birgit Megerle, Chiara Minchio, Ute Müller,
Reto Pulfer, Blake Rayne, Pamela Rosenkranz, Stefan Sandner, Gedi Sibony,
Reena Spaulings, Lucie Stahl, Cheyney Thompson, Jessica Warboys,
Alexander Wolff.
Chat Jet was conceived by Sandro Droschl in collaboration with
Christian Egger, who has assumed a curatorial position at the Künstlerhaus.
The comprehensive project includes an accompanying program and an
exhibition catalogue.
Exhibition openings in the frame of CMRK (Camera Austria, Kunstverein Medienturm, < rotor >, Grazer Kunstverein)
CMRK is a network of four independent Graz-based non-profit institutions, whose common interest is the communication of contemporary art within an international context.
Image: Alex Hubbard, Hit Wave, 2012. Video 4:25 min., Courtesy Galerie Eva Presenhuber, Zurich
Press contact
Helga Droschl Tel: +43/(0)316-740084, +43/(0) 664.3935718 hd@km-k.at
Press talk: 6.03.2013, 11 a.m.
Opening 6.03.2013 6 p.m.
Künstlerhaus
Halle für Kunst & Medien
Burgring 2 8010 Graz, Austria
Hours:
Tuesday to Sunday 11am-6pm
Thursday 11am-8pm