In an exhibition project designed especially for the Schirn, the artist will present an extended form of a photographic work she developed in 2005, "Portrait of an Image (with Isabelle Huppert)". 100 photographs in sequences of 5 motifs based on a collaboration between Horn and the French actress.
Curated by Kristin Schrader
In colla
boration with the Schirn Kunsthalle Frankfurt, the American artist Roni Horn (*1955) is
presenting an extended form of a photographic work she developed in 2005,
“
Portrait of an Image
(with Isabelle Huppert)
”
:
sixteen
striking
interventions comprised of se
lected motifs from the serial
work are distributed in Frankfurt’s urban space, while the complete one
-
hundred
-
part series of
portraits is being shown in the
walkways of the r
o
tunda
of the Schirn. This is the very first staging
in public space of this kind within Roni Horn
’s artistic oeuvre. The two
-
part series
“
Portrait of an
Image (with Isabelle Huppert)
”
each of which consists of fifty photographs in sequences of five
motifs each
is based on a collaboration between Horn and the French film and stage actress
Isabelle Hupper
t. Together they selected earlier roles Huppert had played that the actress then
performed again for the camera. For these photographs, Huppert visualized her repertoire solely
on the basis of her memory, without the aid of the scripts or the films themsel
ves.
Setting out from the Schirn, Horn places a selection of these motifs in public space in a way that
does not reveal that they are part of her work or an artistic project: no mention is made either of
the artist or the exhibiting institution, and ther
e is no title that would indicate that it is a work of art.
Sixteen motifs appear in places in Frankfurt’s urban space in which advertising is usually
displayed
advertising that in our society for the most part relies on the impact of faces.
However, in Ho
rn’s work the portraits are not furnished with commentary and therefore raise
questions, for example how and whether we can read the face we are looking at even without a
prescribed context. The confrontation with these faces in the cityscape provides an o
pportunity
for unexpected, random encounters and recurring meetings, such as they take place in our
everyday social coexistence. Selected motifs from the series were visible in Frankfurt’s public
space from late September to early October 2013, so that the
images can now in part produce an
unconscious sense of recognition.
Even before the official start of the exhibition, Isabelle Huppert’s face will be visible in places on
posters in
subway stations and cars
as well as on large surfaces. The density of th
ese posters
will increase over several days. Some places will be provided with images of the actress over an
extended period of time, for example a revolving advertising space below a large urban clock at
Frankfurt’s Allerheiligentor or the Holbeinsteg ove
r the Main River, over which a banner will be
spanned with a photograph of Huppert. On the first day of the exhibition as well as at another
date, motifs on 110 digital advertising spaces will appear and disappear again in Hessian train
stations, such as F
rankfurt, Offenbach, Wiesbaden, Kassel, Fulda, Giessen, Darmstadt, and
Hanau. This is a key feature of the work, which not only examines the art of acting through its
concept and the protagonist but becomes visible itself in the realization, in the perform
ance as it
were, by means of an exhibition and can only be experienced temporarily, much like what occurs
on a stage. Unlike other photographic works by Roni Horn,
“
Portrait of an Image
”
only exists in
this form. It has not been recorded in a publication tha
t includes all of the individual images.
The exhibition is being made possible by the SCHIRN ZEITGENOSSEN.
According to Max Hollein, director of the Schirn: “The Schirn has set itself the task of continuously
implementing large
-
scale and complex artistic
interventions in public space. We are all the more
delighted that we are
have the
opportunity
to work with Roni Horn, with one of the most
outstanding international artists, and that we can make one of her important photographic
works
which time and again deal w
ith questions of identity in a very subtle way
accessible to
and able to be experienced by a broad public in Germany.”
Kristin Schrader, curator of the exhibition: “Roni Horn’s oeuvre is singular.
“
Portrait of an Image
”
is a comprehensive reflection of the
content of her creative approach. By relocating parts of her
work to Frankfurt’s urban space, Horn sets up various levels of dialogue with viewers, who for her
are immensely important as an integral part of her work.”
Roni Horn’s creative work is charact
erized less by a specific artistic medium than by her
concentration on significant is
sues and ideas. Labels such as
’
sculptor
’
or
’
photographer
’
are
therefore not applicable to or fall short of describing Horn, in particular in view of the fact that she
ex
presses herself by means of photographs, objects, and drawings as well as through writing.
What is decisive is her interest in the concepts of identity and difference. Against this background,
her examination of the art
-
historical genre of the portrait see
ms natural.
“
Portrait of an Image
(with Isabelle Huppert)
”
presents close
-
up images of the French actress and in doing so
challenges viewers to intensely confront the emotions being depicted, which on the basis of the
chosen medium alone, photography, are na
turally perceived as authentic and not staged. The
arrangement of five motifs each into a sequence undermines the popular n
otion of the
photograph at the
’
decisive moment
’
,
which is presumably capable of capturing the essence of an
event or an elementary a
spect of someone’s personality in the fraction of a second. By
reproducing this decisive moment, Roni Horn addresses the diversity and instability of identity.
The artist always works with an arrangement of at least two objects or images, which reflects
as
pects such as similarity, correspondence, and deviation. By leaving viewers in the dark about
whether the motifs being shown are identical or only slightly deviate from one another, Horn’s
works prompt an element of uncertainty. For Horn, those works that
possess the character of
incompleteness are the most meaningful
.
Roni Horn lives and works in New York, the city of her birth. She studied at the Rhode Island
School of Design and Yale University. She has become known to an international public for her
mu
ltifaceted exhibition activity, fo
r example her participation in
d
ocumenta IX (1992) and in the
47th Venice Biennale (1997). In 2009, the retrospective
“
Roni Horn a.k.a Roni Horn
”
presented
her work at the Tate Modern, London, the Collection Lambert, Avignon
, as well as at the Whitney
Museum of American Art, New York, and in 2010 at the Institute of Contemporary Art, Boston.
Works by Roni Horn are included in the collections of the Gugge
n
heim Museum, New York, the
Museum of Modern Art, New York, the Art Insti
tute of Chicago, the Tate Modern, London, the
Centre Georges Pomp
i
dou, Paris
.
The exhibition is being made possible by the SCHIRN ZEITGENOSSEN, a circle of private
patrons of young art at the Schirn Kunsthalle Frankfurt. The Schirn thanks Jan Bauer
, Michael
Fabich, Andreas Fendel, Hartmuth Jung, Sunhild Theuerkauf
-
Lukic und Andreas Lukic, Shahpar
Oschmann, Vasiliki Basia and Jörg Rockenhäuser, Katharina and Lars Singbartl, Ant
o
nie and
Heiner Thorborg, as well as Vera and Stefan Wallrich for their co
mmitment.
EDITION:
As a continuation of her exhibition project,
Roni Horn designed an edition consisting of
the sixteen motifs distributed throughout Frankfurt that have been assembled as an A2
-
format
postcard page. When separated, they playfully invite o
ne to carry on the dialogue with Huppert’s
faces and likewise allow others to join in.
Image: © Roni Horn
Portrait of an Image (with Isabelle Huppert), 2005
Courtesy Roni Horn und Hauser + Wirth
Press contact:
Axel Braun (Head of Press/Public Relations), Pamela Rohde (Press Spokeswoman)
Simone Krämer, Lara Schuh (Trainee). Tel: (+49-69) 29 98 82-148, Fax: (+49-69) 29 98 82-240, E-mail:
presse@schirn.de
Preview for the press: Wednesday, December 11, 2013, 11:00 a.m.
Schirn Kunsthalle Frankfurt
Römerberg, D-60311 Frankfurt
Hours: Tuesday, Friday–Sunday 10am–7pm, Wednesday–Thursday 10am–10pm
Admission: €8.00, reduced €6.00, family ticket €16.00; combination ticket with the
exhibition Glam €15.00, reduced €11.00; children under the age of eight admitted free of charge.
GUIDED TOURS FOR THE PUBLIC: Wed 7:00 p.m., Thu 8:00 p.m., Sat 3:00 p.m., Sun 5:00 p.m.