Filippo Sciascia
dal 27/11/2003 al 28/1/2004
Segnalato da
27/11/2003
Filippo Sciascia
Gaya Fusion Art Space, Bali
The Italian Artist, Filippo Sciascia is presenting at Gaya Fusion of Senses Contemporary Art Gallery, Jl Raya Sayan Ubud-Bali, Indonesia, an Installation Videopainting Kadek made from 20 paintings, photographs and a video. The Paintings and the Photographs all come from the Video Kadek.
The Italian Artist, Filippo Sciascia is presenting at Gaya Fusion of Senses
Contemporary Art Gallery, Jl Raya Sayan Ubud-Bali, Indonesia, an Installation
VIDEOPAINTING[ KADEK ] made from 20 paintings, photographs and a video. The
Paintings and the Photographs all come from the Video Kadek.
This is the text of the concept video paintings.
The work is focused on the human eye system and the similarities with the video
camera system, which interacts with the viewer. For the realization of an
experience the viewer can create a collaboration of the two subjects. The
exchange of video-paintings creates a relationship of painted images and filmed
reality.
The transposition of video-paintings is a soft integration of the genres; as a
total capture of the existence, as an image translated in the real presence of
the video, as a natural transposition on the borders of illusive-visions. The
eye is often described as a video camera it captures the light that feeds the
brain with information transformed into neural activities, which is called the
"language of the brain" and represents what we see.
Like the cables of the video cam the optic nerve of the human eye conducts an
electric signal .The lens of the human eye focuses the light into the retina, as
well as the photoelectric cellular for the video cam. The subject chosen is the
head (centre of the senses) of a young girl from the island of Bali (Kadek),
which represents the duel character of the Island Bali. The video subject
creates a relation with the viewer. The viewer is stimulated psychological and
visually to translate sound, thoughts, images that will stay registered in his
memory, an interaction with another of you.
The video image is a subject to a time paralysis that forms them into oil
paintings and blurred pixel like brush strokes. The effect of those two subjects
the looping of the video painting, subconsciously translates the relationship of
the classic media [oil paint] and the technological media (video). The intention
is to provocate a wound, a black hole penetrable to over come the work of videos
and paintings stimulating the sensorial activities of the viewer which becomes
also a subject to activate the work itself.
The work is focused on the human eye system and the similarities with the video camera system, which interacts with the viewer. For the realization of an experience the viewer can
create a collaboration of the two subjects. The exchange of video-paintings
creates a relationship of painted images and filmed reality.
The transposition of video-paintings is a soft integration of the genres; as a total capture of
the existence, as an image translated in the real presence of the video, as a
natural transposition on the borders of illusive-visions. The eye is often
described as a video camera it captures the light that feeds the brain with
information transformed into neural activities, which is called the "language of the brain" and represents what we see.
Oil painting on canvas Photo image from DVD video
on November 28th 2003, Opening at 6.30pm.
Gaya Fusion of Senses, Jl Raya Sayan - Ubud, Bali - Indonesia. Ph: +62 361 979
253, Fax: +62 361 975 895