Charles Prendergast
Lionel Feininger
Niki de Saint Phalle
Kara Walker
Mary Cassatt
Nancy Mowll Mathews
The exhibition brings together works from the WCMA collection that show the ways artists from different cultures and historical periods have visualized monumental women, both as single figures and in groups.
Selections from the Williams College Museum of Art
Williamstown, MA‹Williams College Museum of Art (WCMA) presents In the
Company of Women: Selections from the Williams College Museum of Art. The
exhibition brings together works from the WCMA collection that show the ways
artists from different cultures and historical periods have visualized
monumental women, both as single figures and in groups. In ancient and
non-Western art, female figures are infused with otherworldly powers that
beguile, transport, and occasionally menace the human spectator. The
tradition of the powerful woman, whether goddess of wisdom or fetish figure,
has continued in Western art to this day; this exhibition allows the viewer
to experience first hand the compelling visual discourse of this ³company of
women.²
In some cases, such as Isabel Bishop¹s Working Girls, the context is the
everyday world of work (as it was in the 1997 film, In the Company of Men).
³But more often,² states curator Nancy Mowll Mathews, ³symbolic or
imaginative meaning provides the artistic impetus.²
The ³company² will be made up of approximately thirty representations of
women in all media, ranging from ancient to contemporary art. African and
Meso-American pieces will be juxtaposed with European and American art of
the recent past, and Asian art, such as the anonymous Chinese Ancestral
Portrait from the Ming Dynasty (1368-1644), will offer a contrast to them
all. Artists of the nineteenth and early twentieth centuries, including
Maurice and Charles Prendergast (in Bathers Under the Trees), and Lionel
Feininger (Badende am Strande) produced modern versions of the theme of
bathers, and contemporary artists such as Niki de Saint Phalle and Kara
Walker redefined ancient goddesses. Throughout the exhibition, the viewer
can examine various artistic techniques used to monumentalize the figures
and give their faces quasi-hypnotic powers. Even the smallest and most
delicate works, such as Mary Cassatt¹s print Reflection, have a startling
visual impact that suggests a kinship to female icons of the past.
The exhibition is organized by Nancy Mowll Mathews, WCMA¹s Eugénie
Prendergast Senior Curator of 19th and 20th Century Art. A gallery talk by
the curator will be held on November 17 at 12:15 pm.
Publicity images for In the Company of Women and other current exhibitions
are available for use. Images include Charles Prendergast¹s Bathers Under
the Trees, Mary Cassatt¹s Reflection, and an anonymous Chinese Ancestral
Portrait.
The Williams College Museum of Art is open Tuesday through Saturday, from 10
a.m. to 5 p.m., and on Sunday from 1 to 5 p.m. Admission is free and the
museum is wheelchair accessible. Contact: Suzanne Augugliaro, Public
Relations Coordinator
Williams College Museum of Art
15 Lawrence Hall Drive, Ste 2 MA 01267
Williamstown