Kitch painter. The Norwegian painter, Odd Nerdrum (born 1944), has a unique position in contemporary art. His challenging pathos and unashamedly unfashionable qualities have provoked some people, and won admiration from others. His considerable depth and unwavering consistency have made him one of the great storytellers of our age, with paintings, which are always related to his life. He has created his own landscape.
Kitch painter
Reykjavik Art Museum - Kjarvalsstadir
April 7th - May 27th 2001
The Norwegian painter, Odd Nerdrum (born 1944), has a unique
position in contemporary art. His challenging pathos and unashamedly
unfashionable qualities have provoked some people, and won
admiration from others. His considerable depth and unwavering
consistency have made him one of the great storytellers of our age,
with paintings, which are always related to his life. He has created his
own landscape. The outsider - who keeps his distance or is rejected
by society - has been a central theme in Odd Nerd rum’s work.
Odd Nerd rum’s challenging statements in the media have won him a
place in the public eye. The paintings in this exhibition demonstrate his
developments from the id- 1980s, particularly his most recent works in
which he provocatively labels himself as a kitch painter.
Ever since his debut in 1964, Nerdrum has vigorously expressed his
doubts about modernism. Instead, he has based himself on
Rembrandt’s light and Caravaggio´s 17th century realism. His subject -
which often had social and political themes in the 1970s - acquired a
more mythical slant in the 1980s, with figures roaming through a
desolate landscape. In the spring of 1986, Odd Nerdrum visited Iceland
for the first time, discovering a physical expression of his inner
landscape, in which the boundaries between the distant past, the
present and the future are dissolved.
There was growing restlessness and anxiety in his paintings in the
early 1990s. Relations between men and women became a hostile
battleground, but there is a more conciliatory spirit in some lighter and
more vibrant works produced in the summer of 1997.
His theme in recent years has been gender and the processes of the
human body, seen in any works depicting hermaphrodite figures in
which man and woman merge. In late 1997, Nerdrum declared that he
had gradually come to the conclusion that he was a kitch painter. But
he believes that art and kitch have changed places today. While art is
permeated by irony and disassociation, kitch represents a profoundly
serious approach. Kitch is private, appealing to the individual. Nerdrum
has apologized to his critics, since he now considers that he was
sailing under a false flag when he described himself as an artist.
image: NERDRUM. Self portrait in golden gown, 1997-98, 187 x 144cm,
collection Astrup Fearnley Museet for Moderne Kunst
ReykjavÃk Art Museum - Kjarvalsstadir ,
Flókagata ,
105 ReykjavÃk ,
Iceland ,
Tel. +354 552 6131 ,
Fax + 354 562 6191