The artist produces large sculptures using simple materials like plywood, chipboard and roof slats. These he paints with rapid, adept strokes of the brush to make them look like wood or stone. The resulting illusion influences our perception of the weight, density and value of his constructions.
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Markus Müller produces large sculptures using simple materials like
plywood, chipboard and roof slats. These he paints with rapid, adept
strokes of the brush to make them look like wood or stone. The resulting
illusion influences our perception of the weight, density and value of his
constructions, generating a tension between the impact of this works and
the materials out of which they are actually made.
We are confronted with elements from nature like branches, stones or
bones, most of them just slightly larger than life; with structures that show
a certain kinship with pieces of furniture or fragments of architecture; and
with hybrid objects that bridge nature and culture. The works often refer
to art itself and the context of its presentation.
Markus Müller takes a playful approach to artistic principles of design,
referring to the styles and epochs of art history. His works also
incorporate the ideas that have emerged from his study of sculpture. He
elevates his depictions of natural elements to works of art through their
form of presentation and has created a nonfigurative sculpture that
appears to be natural. In so doing, he raises questions about the criteria
that define a found object as sculpture while also inquiring into the status
of the objects he represents, specifically their position within the laws
that govern art.
Text by Nadia Schneider, Kunsthaus Glarus, 2006
From Nutzen und Nachteil, Edition Fink, ISBN 3-906086-94-1
Opening in the presence of the artist: thursday, 1 november 2007, 6 pm
Nicolas Krupp
Erlenstrasse 15 - Basel
open wednesday to saturday, from 2 to 6 pm and by appointment
free admission