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Rex Harrison
dal 4/3/2008 al 23/3/2008

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April Hunt


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Rex Harrison



 
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4/3/2008

Rex Harrison

The Museum of Modern Art - MoMA, New York

A Centenary Tribute. Sampling of Sir Rex's work in the cinema. Organized by Charles Silver, Associate Curator, Department of Film. Harrison acting career began on the stage in his teens, and he was playing bit parts in films by 1930. He remained a stage actor until three weeks before his death, in 1990.


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The boy who became Sir Reginald Harrison was born on March 5, 1908, in Lancashire. His acting career began on the stage in his teens, and he was playing bit parts in films by 1930. He remained a stage actor until three weeks before his death, in 1990. On film, he carved out a special niche for himself, somewhat removed from such classically trained contemporaries as Laurence Olivier, John Gielgud, and Ralph Richardson.

More comfortable with the modern idiom of George Bernard Shaw than with Shakespeare, Rex became, in Noel Coward’s words, “the greatest interpreter of high comedy in the world.” Whether playing a soldier in the Salvation Army, a sometimes gentlemanly phonics teacher, a ghost, an orchestra conductor, an escaped criminal, a Roman emperor, a Muslim potentate, or a pope, Harrison brought rakish charm and quicksilver elegance to his roles. His gracefully animated speeches, his verbal musicality, and the naughty glimmer in his eye conveyed a multiplicity of meanings.

He could be “Sexy Rexy” when appropriate; he could play off the regal connotations of being called Rex; he could “ooze charm from every pore”; and still, there was more. As Rex’s son, Professor Carey Harrison, has pointed out, behind the “comedic” performances was a hooded threat of danger. It manifests itself in his insouciance in The Rake’s Progress (1945) and his physical violence in Escape (1948); it matures into a recurrent sense of menace behind the drollery of Julius Caesar and Henry Higgins—it is the subtly subversive alchemy of a great actor making his craft look all too easy.

The Department of Film is delighted to present this sampling of Sir Rex’s work in the cinema. Organized by Charles Silver, Associate Curator, Department of Film. Special thanks to the British Film Institute, Fleur Buckley, Martin Scorsese, Ed Gallagher, and most especially to Lady Mercia Harrison.

Image: Rex Harrison (as Sir Alfred De Carter) and Linda Darnell (as Daphne De Carter) in Unfaithfully Yours (1948), directed by Preston Sturges SCREENING: 7 and 2 March COURTESY: Photofest/20th Century-Fox

April Hunt, Marketing & Communications Coordinator, P.S.1 Contemporary Art
Center 718/786-3139 or april@ps1.org

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