Robert Adrian X
Ant Farm
Giovanni Anselmo
H.C. Artmann
Michael Asher
Kevin Atherton
Judith Barry
Wolfgang Bauer
Gottfried Bechtold
Stephen Beck
Joseph Beuys
Dara Birnbaum
Alighiero Boetti
Marinus Boezem
Stanley Brouwn
Klaus vom Bruch
Chris Burden
Daniel Buren
Pier Paolo Calzolari
Axel Corti
Douglas Davis
Jaime Davidovich
Walter De Maria
Jan Dibbets
Gino de Dominicis
Valie Export
Harun Farocki
Barry Flanagan
Hamish Fulton
Ivan Ladislav Galeta
Wilhelm Gaube
General Idea
Gilbert & George
Roland Goeschl
Dan Graham
Ion Grigorescu
Horst Gerhard Haberl
David Hall
Gazi Herzog
Klaus Hoffer
Sanja Ivekovic
Allan Kaprow
Richard Kriesche
Gary Kuehn
Pawel Kwiek
Suzanne Lacy
David Lamelas
Hildegard Duane
Les Levine
Richard Long
Mario Merz
Antoni Muntadas
Marcel Odenbach
Andreas Okopenko
Yoko Ono
Openbaar Kunstbezit
Dennis Oppenheim
Nam June Paik
Friederike Pezold
Otto Piene
Aldo Tambellini
Radical Software
Raindance
Klaus Rinke
Martha Rosler
Ulrike Rosenbach
Reiner Ruthenbeck
Ulrich Ruckriem
Gerhard Ruhm
Ira Schneider
Gerry Schum
Ilene Segalove
Richard Serra
Michael Smith
Robert Smithson
Keith Sonnier
T.R. UTHCO
Ant Farm
TVTV
Ferry Unger
Stan Vanderbeek
Ger van Elk
Steina and Woody Vasulka
Videofreex
Bill Viola
Wolf Vostell
Franz Erhard Walther
Andy Warhol
Peter Weibel
Lawrence Weiner
Gilberto Zorio
Otto M. Zykan
Julie Ault
Martin Beck
Matthias Michalka
Manuela Ammer
Art and Television 1963-1987
Curator Matthias Michalka
Assistant curator Manuela Ammer
Exhibition design Julie Ault / Martin Beck
"Changing Channels" investigates how art reflected and drew on the
mass media of television between the 1960s and the 1980s. The
exhibition presents works that show the increasing significance and the
economic, technological and social mechanisms of the medium. The
works in question were made at the moment when television itself had
undergone fundamental changes and this in turn brought about a
comprehensive revision of the relationship between art and the role of
media in the public sphere.
Beginning in the mid 1960s, artists around Fluxus and the Expanded Arts
such as Nam June Paik, Stan Vanderbeek or Wolf Vostell made use of the
technical potential of manipulation for disruption or aesthetic
transformation inherent to the electronic image. Using the audio-visual
effects of feedback and interventions in the televisual apparatus, it
seemed that new forms of participation and a comprehensive
transformation of the existent structures of communication might be
possible. Artistic and activist collectives such as Ant Farm and Raindance
showed dramatically in their media performances and with their use of
video cameras how television functioned as a means of mass
dissemination, and through showing this, what was hidden or withheld in
the process.
During the 1970s, conceptually motivated artists explored the
relationship between the art space and the public sphere found in mass
media. David Lamelas, Peter Weibel, Valie EXPORT, Dan Graham, Sanja
Ivekovi ́c and Dara Birnbaum looked closely at the connections between
art, information and communication, concentrating especially on the
language of television and its consciousness-forming effects. Their works
were also shown on public television such as ORF and ARD and also on
cable channels.
Artistic challenges to the TV image often concentrated on the
entanglement of the public and the private sphere inherent to the
medium, especially the dynamic of televisual self-expression and models
of identification — with artists such as Andy Warhol working with the
implications of a culture of fame or with Yoko Ono and John Lennon using
mass media presence for political-artistic objectives.
Their works illustrate not only the direct connections to the logic of
commercial merchandise and the economics of brand names but also
draw explicit parallels between the image of the artist and the cult of
personality and stardom in television. Andy Warhol’s TV will take over the
entire space of the MUMOK Factory, a show that ran with 42 episodes on
MTV and other channels, with stars such as Grace Johns, Jerry Hall, John
Oates and Blondie.
As an aspect of the rapid changes during the 1970s that brought about a
diversification of the media landscape, the spectators were increasingly
addressed as ambivalent consumers who developed their own unique
ways of using the medium. At the point where television had long
become a self-evident fixture in everyday life, artists such as Judith Barry,
Michael Smith and Ilene Segalove dealt with increasing intensity with the
paradoxes of mass consumption and entertainment in their work.
Artists represented in the exhibition
Robert Adrian X, Ant Farm, Giovanni Anselmo, H.C. Artmann, Michael
Asher, Kevin Atherton, Judith Barry, Wolfgang Bauer, Gottfried Bechtold,
Stephen Beck, Joseph Beuys, Dara Birnbaum, Alighiero Boetti, Marinus
Boezem, Stanley Brouwn, Klaus vom Bruch, Chris Burden, Daniel Buren,
Pier Paolo Calzolari, Axel Corti, Douglas Davis, Jaime Davidovich, Walter
De Maria, Jan Dibbets, Gino de Dominicis, VALIE EXPORT, Harun Farocki,
Barry Flanagan, Hamish Fulton, Ivan Ladislav Galeta, Wilhelm Gaube,
General Idea, Gilbert & George, Roland Goeschl, Dan Graham, Ion
Grigorescu, Horst Gerhard Haberl, David Hall, Gazi Herzog, Klaus Hoffer,
Sanja Iveković, Allan Kaprow, Richard Kriesche, Gary Kuehn, Pawel Kwiek,
Suzanne Lacy, David Lamelas and Hildegard Duane, Les Levine, Richard
Long, Mario Merz, Antoni Muntadas, Marcel Odenbach, Andreas
Okopenko, Yoko Ono and John Lennon, Openbaar Kunstbezit, Dennis
Oppenheim, Nam June Paik, Friederike Pezold, Otto Piene and Aldo
Tambellini, Radical Software, Raindance, Klaus Rinke, Martha Rosler,
Ulrike Rosenbach, Reiner Ruthenbeck, Ulrich Rückriem, Gerhard Rühm,
Ira Schneider, Gerry Schum, Ilene Segalove, Richard Serra, Michael Smith,
Robert Smithson, Keith Sonnier, T.R. UTHCO and Ant Farm, TVTV, Ferry
Unger, Stan Vanderbeek, Ger van Elk, Steina and Woody Vasulka,
Videofreex, Bill Viola, Wolf Vostell, Franz Erhard Walther, Andy Warhol,
Peter Weibel, Lawrence Weiner, Gilberto Zorio, Otto M. Zykan.
Catalogue Changing Channels. Art and Television
1963-1987
With essays by Manuela Ammer,
Tom Holert, Christian Höller, David
Joselit, Pamela Lee, Sven Lütticken,
Matthias Michalka and interviews
between Reinhard Braun & Kathy
Rae Huffman and Matthias Michalka
& Wolf Herzogenrath.
293 pages, English and German
version. € 39,90
Image: General Idea, Test Tube, 1979
MUMOK partners: Air France, Art Photography Fund, Dorotheum, Inku, LOEWE, UNIQA,
Wittmann; Media partners: Der Standard, Club Ö1, Infoscreen and ORF.
Press contact:
Eva Engelberger
Barbara Hammerschmied
T +43-1-525 00-1400, 1450 F +43-1-52500-1300 press@nospammumok.at
Press conference March 4, 10:00 a.m.
Opening March 4, 19:00 p.m.
Museum Moderner Kunst MUMOK
Museumsplatz 1|1070 Vienna
Opening fours Mon. — Sun. 10:00 — 18:00
Thurs. 10:00 — 21:00
Entrance fee Standard € 9.- Reduced € 7.20 or € 6.50