Ping Pang Pong
dal 24/4/2010 al 29/5/2010
Segnalato da
24/4/2010
Ping Pang Pong
Centre international d'art et du paysage, Ile de Vassiviere
Encounters. The artist speaks, the institution invites the public to dialogue
Usually presented on Sunday's afternoon, the Ping Pang Pong program proposes a series of meetings with art's key figures: the artists.
For two hours, international artists answer to the questions of the public, explaining their work through the presentation of images, sounds, videos or performances. A meeting is organized each month by the Centre international d'art et du paysage de l'île de Vassivière.
With Mircea Cantor, Marie Denis, Olivier Bardin, Franck Scurti, Santiago Reyes, Didier Courbot, Davide Bertocchi, Barthélémy Toguo, Shahryar Nashat, Fabien Verschaere, Yann Sérandour, Eric Madeleine, Samon Takahashi, Christelle Familiari, Vincent Lamouroux, Shen Yuan, Michael Herrman, Davide Balula, Paola Yacoub-Michel Lasserre, John Lalor, Jorge Peris, Jakob Gautel, Cesare Pietroiusti, Hans-Walter Müller, Pierre Ardouvin, Federico Nicolao, Pierre Malphettes, Claire Fontaine, Jeanne Susplugas, Michael Fliri, Renaud Auguste-Dormeuil, Damien Odoul, Alex Cecchetti, Daniel Firman, Philippe Terrier-Hermann, Jean-Baptiste Decavèle, Love Difference, Camille Henrot, Serge Spitzer, Wilfrid Almendra and Thierry Fontaine:
-- Chrystèle Lerisse
Chrystèle Lerisse develops over twenty five years a work in black and white in a world built out of scale and disoriented by a slip material. The tight framings disrupt the viewer's vision until the confusion. Always located in close proximity to the visible substance of things to photograph, the Chrystèle Lerisse’s work explores their surface to reveal the essence. Light is the grammar of her practice.
Chrystèle Lerisse rids the topics that she used of any personal affect in order to restore a mental dimension. She wants to mark the place of indecision and somehow the impossibility for the picture to exist.
25 april 2010 at 3pm
-- Philippe Gronon
Philippe Gronon photographs in a frontal way objects which are
for most of them areas of communication, registration,
containers, objects interfaces that are used to transmit a
didactical knowledge (stock quotes, charts, blackboards,
desks of libraries) or used to revelation and reproduction of images (frames radiographs, bowls
photographic development, lithographic stones).
The objects that Philippe Gronon photographs are always in the same report
exceeded the reality.
Make in the room, drawn mostly from a wide, isolated and laminated on aluminum, photographs of Gronon available to see at first in the strange evidence of their subjects ; they show they are all by applying to make them mysterious, to operate as a de-realization. With the rigor of a frame which disconnects the perceived reality, a work light that interferes with cognitive vision, by using the series in lamin reference, the subject of his photographs is always treated to his potential to highlight a particular criterion or way of representation at stake.
30 may 2010 at 3pm
With François Gilardi, Director of the Populaire du Centre
-- Anne Beyaert-Geslin. Painting time
The Centre international d’art et du paysage de l’île de Vassivière starts a new cycle of conferences for a theoretical approach of creation. The reading of artworks by major figures in art history will be conducted by specialists in semiotics and aesthetics.
Anne Beyaert-Geslin, lecturer in semiotics at the university of Limoges, department of letters and humanities, hosts a three conferences cycle on painting and time. Anne Beyaert-Geslin thinks that temporality is at the very core of the meaning of any painting. A meaning that manifests itself as early as the definition of the genres (portrait, landscape, still life).
Painting does not simply invent forms. Through it, it’s the time itself that is put into work in order to expand the field of our experiment. Following the steps of Paul Klee, Paul Cézanne, Max Beckmann, Eugène Leroy, Francis Picabia, Giorgio De Chirico, Glenn Brown and Lucian Freud, Anne Beyaert-Geslin is applying herself to show how "painting time" allow us to renew the way we experiment the world.
6 june/5 september/3 october 2010 at 3pm
Events
-- Nuit européenne des musées
In the context of "la Nuit européenne des musées", event created in France by the Ministère de la Culture et de la Communication, the art center proposes White museum, a very special moment of Rosa Barba’s exhibition during the night. The visitors could contemplate the building of Aldo Rossi changed in an immense projector with its luminous beam until midnight.
15 may 2010 from 6pm to midnight
More informations: http://www.nuitdesmusees.culture.fr
Press contact
Frédéric Legros F - 87120 Ile de Vassivière Phone: +33 (0)5 55692727 Fax: +33 (0)5 55692931 e-mail: communication@ciapiledevassiviere.com
The Centre international d'art et du paysage
Vassivière Island is 60 km east from Limoges, on the route to Beaumont du Lac between the departments of Haute-Vienne and Creuse.
By car: From the north (Paris): highway A20 direction: Limoges, after Limoges exit 35 direction: Feytiat/Eymoutiers, then Beaumont du Lac, Lac de Vassivière, Ile de Vassivière.
From the south (Toulouse): highway A20, north of Uzerche exit 42 direction: Lac de Vassivière to Eymoutiers then Beaumont du Lac, Lac de Vassivière, Ile de Vassivière.
By train: From Limoges take the train to Eymoutiers train station, direction: Ussel/Clermont-Ferrand. The Centre international d'art et du paysage is 15 km away from Eymoutiers, then taxi (Eymoutiers taxis: phone +33 (0)5 55 69 12 04).
By plane: International airport Limoges.
Open from Tuesday to Friday from 2pm to 6pm. Saturday and Sunday from 11am to 6pm.
Admission: full ticket: 3 euros/reduced ticket: 1,5 euros over 12 years, students, unemployed/free: under 12 years, disabled and their companions, Friends of the Centre international d'art et du paysage, members of the Artothèque.