Pierre Ardouvin
Robert Barta
Patrick Berube
Marc Bijl
Hermine Bourgadier
Antoinette J. Citizen
Courtney Coombs
Jacob Dahlgren
Paul Kirps
Walter Langelaar
Annika Larsson
Ian Monk
Laurent Perbos
Letizia Romanini
Stephane Thidet
Olaf Val
Kevin Muhlen
Jo Kox
The name of the centre can fool almost anyone into mistaking the purpose of the building. The current exhibition sets the tone by adopting this title, further adding to the confusion by exhibiting works that, in fact, evoke the idea of gaming! Indeed, each piece in the show appears to be an invitation to play-whether video console, merry-go-round, playing field, or other games. Sixteen artists present their own approaches, and produced site-specific works specially for this show.
Pierre Ardouvin, Robert Barta, Patrick Bérubé, Marc Bijl, Hermine Bourgadier, Antoinette J. Citizen, Courtney Coombs, Jacob Dahlgren, Paul Kirps, Walter Langelaar, Annika Larsson, Ian Monk, Laurent Perbos, Letizia Romanini, Stéphane Thidet, Olaf Val
Curators: Kevin Muhlen and Jo Kox
When referring to Casino Luxembourg – Forum d’art contemporain, perhaps no phrase has been uttered more often than,
"This is not a casino!" After all, the name of the centre can fool almost anyone into mistaking the purpose of the building.
The current exhibition sets the tone by adopting this title, further adding to the confusion by exhibiting works that, in fact,
evoke the idea of gaming! Indeed, each piece in the show appears to be an invitation to play—whether video console,
merry-go-round, playing field, or other games. And yet the reality remains unchanged—no gaming goes on here.
The exhibition therefore reproduces the frustration experienced by visitors who come here thinking they will find games
of chance. This theme could have easily resulted in yet another show on the relationship between art and playfulness. But
what is underscored here is the double twist and frustration associated with gaming. Art and game-playing—which have
often been compared in recent art criticism—are in fact similar practices: both call for (indeed, embody) a free spirit on one
hand, and a precise set of rules on the other hand. Both tend to set up binary oppositions that give rise to meanings, symbols and related emotions—like a goal that has either been scored or not scored, once and for all, a status that inherently
generates intense, wide-ranging reactions from everyone involved (players, referees, spectators, commentators, TV
viewers). This relationship between binary status and analogue reaction is specific to games yet is mirrored in the artistic
techniques employed in these works.
A participatory element is also present in this show. The beholder becomes a player, spontaneously drawn into the exhibition with all its subversions and frustrations—visitors may even feel they’re being toyed with. Sixteen artists present their
own approaches, chosen according to the rules of this non-casino. Several artists produced site-specific works specially for
this show.
Taking ambiguity to its logical limit, the 15th anniversary of the Casino Luxembourg’s transformation into an exhibition
venue is, and isn’t, the inspiration behind Ceci n'est pas un Casino. There is nothing retrospective about this show, and the
only historical allusion is the thematic reference. However, the retrospective notion is openly expressed in the catalogue,
which, in addition to an introduction by curators Kevin Muhlen and Jo Kox, features essays on the Casino and its various
functions down through history by Marc Jeck, Paul Reiles, and Didier Damiani, not to mention a discussion of playfulness
and gaming by a psychiatrist, Dr. Paul Rauchs, and a historical analysis of ludic approaches to art by art historian Bettina
Steinbrügge.(ISBN 978-2-919893-83-1)
The exhibition is realised with the support of Menuiserie Lex Weisgerber, Contern.
The project by Jacob Dahlgren is supported by Iaspis.
The project by Patrick Bérubé is realised in collaboration with the Délégation générale du Québec à Bruxelles.
The project by Paul Kirps is supported by Menuiserie Hilger, Manternach.
Image: Paul Kirps, Terminal, 2010. Courtesy the artist. Production: Casino Luxembourg - Forum d'art contemporain
Press office: Marc Clement presse@casino-luxembourg.lu
Opening on Friday 30 April 2010 from 7 p.m. to midnight
Casino Luxembourg
41, rue Notre-Dame, Luxembourg
Opening hours: Mon, Wed, Fri from 11 a.m. to 7 p.m., Thu from 11 a.m. to 8 p.m
Sat, Sun and public holidays from 11 a.m. to 6 p.m., Tue closed