'About Me' explores different ways in which contemporary artists are making use of the trope of autobiography in their work. The artists exhibited make reference to themselves and in so doing, ask us to question the relationship between personal history and memory, as well as the veracity of self-presentation.
curated by Nora Lawrence
A group exhibition featuring Colby Bird,
Carla Edwards, Naomi Miller, Maia Palileo,
Carlos Reyes, and Jim Zeske.
Bronx River Art Center (BRAC) is proud to present About Me:, a group
exhibition guest curated by Nora Lawrence, opening on September 10, 2010. The exhibition, which runs
until October 9, 2010, is the first in a series hosted in our temporary location at the Bronx Art Space while
we undergo a 7 million dollar renovation to our facility. This fall, the Center will break ground on a major
Capital Program and enter a 2-year phase of roving arts programming while the building is being
reconstructed.
About Me: explores different ways in which contemporary artists are making use of the trope of
autobiography in their work. The artists exhibited make reference to themselves— at times sincerely,
subtly, ironically—and in so doing, ask us to question the relationship between personal history and
memory, as well as the veracity of self-presentation.
Bringing the “self” to bear on an interpretation of a work of art has long been controversial. In 1967,
Roland Barthes called on theorists and historians to move beyond biography, saying that to concentrate
on an artist’s biography was to limit the interpretations possible for a work. However, feminist theorists
and others have emphasized the continued importance of biography, arguing that all of our multiple and
varied experiences have helped mold the art that we have produced, as well as our ability to interpret it.
Artists, moreover, be they painters, novelists, or filmmakers, often pass seamlessly between their own life
experiences and something imagined, often not committing or admitting to one over the other. For
audiences, the question becomes: what stock do we take in the personal? How much of it guides us as
viewers, and how much can we invest in it?
This exhibition will include work in various media by six artists, each of whom approach the idea of the
personal in a different, provocative manner. Colby Bird uses a beautiful sky and city skyline as the
backdrop for his video, F Books, and allows its sublimity to strip audience members of a healthy
skepticism that they may well wish they had maintained. Carla Edwards points the camera onto herself
in video work that communicates through hard-worn cultural symbolism, but obfuscates her motivations
by remaining silent.
Naomi Miller uses herself and her family as subjects of her art, drawing intimate,
familial moments onto the stage of high art. Maia Palileo has created an ongoing suite of drawings that
revisit formative memories with such a great level of detail that they slip into fiction. Carlos Reyes has
created a body of sculpture that asks the viewer to question the truth-value of personal photographs and
mementoes, while also calling upon the viewer to become part of the work of art. James Zeske’s mixed-
media installations create a personal symbolism by making use of idiosyncratic souvenirs of lived
experiences: in this case, an extended stay in Argentina.
Visual art is able to communicate information indirectly, unlike the written word. In this exhibition, some
artists begin from a personal event and work through it until it morphs from the biographical to the
imaginative; others take their history as a starting point for free exploration; still others question the very
idea of the “authenticity” of the artist’s presentation of him or herself. All weave in and out of the space of
the self, creating works that variously intersect with their personal journeys.
Opening Reception: Friday, September 10, 6-9pm
Bronx Culture Trolley: Wednesday, October 6, 5-9pm
Bronx River Art Center
1087 East Tremont Ave Bronx, NY
Hours: Wednesday-Friday 3pm-6:30pm, Saturday 12pm–5pm
Admission Free