'Weimar Cinema, 1919-1933: Daydreams and Nightmares' includes seventy-five feature-length films and six shorts, along with a gallery exhibition of Weimar-era film posters and stills. In addition to classic films by Fritz Lang, F. W. Murnau, and G. W. Pabst, among others, the exhibition includes many films, unseen for decades, that were restored after German reunification. Since the 1990s, New York based artist and landscape designer Paula Hayes has produced botanical sculptures that expand upon the classic terrarium, both through their imaginative containers and the microcosmic universes within.
Weimar Cinema, 1919-1933: Daydreams and Nightmares
Organized in association with the Friedrich Wilhelm Murnau Foundation in Wiesbaden and in cooperation with the Deutsche Kinemathek in Berlin, this exhibition—the most extensive ever mounted in the United States of German films made between the world wars—includes seventy-five feature-length films and six shorts, along with a gallery exhibition of Weimar-era film posters and stills.
The exhibition continues the tradition of Iris Barry, the world’s first curator of film and founding curator of MoMA’s Department of Film, who began adding German films to the collection in the mid-1930s and exhibited a deep commitment to this rich period of film culture throughout her career. Daydreams and Nightmares also builds upon the scholarly legacy of Siegfried Kracauer’s seminal 1947 book From Caligari to Hitler: A Psychological History of the German Film, which the émigré film and social critic wrote (at Barry’s invitation) at The Museum of Modern Art.
In addition to classic films by Fritz Lang, F. W. Murnau, and G. W. Pabst, among others, the exhibition includes many films, unseen for decades, that were restored after German reunification. The extensive program reaches beyond the standard view of Weimar cinema—which sees its tropes of madmen, evil geniuses, pagan forces, and schizophrenic behavior as dark harbingers of Hitler—by adding another perspective: that of the popular German cinema of the period. The development of Weimar cinema coincides with the coming of sound, and German filmmakers also excelled in the making of popular musicals, cabaret-type comedies, and dramas, shot outside the studio, that tackled social issues.
All silent films have piano accompaniment by Ben Model or Stuart Oderman.
The film portion of the exhibition is organized by Laurence Kardish, Senior Curator, Department of Film, and Eva Orbanz, Senior Curator, Special Projects, Deutsche Kinemathek – Museum für Film und Fernsehen. The gallery exhibition is organized by Laurence Kardish and Ronald S. Magliozzi, Assistant Curator, Department of Film.
The exhibition is supported by the Consulate General of the Federal Republic of Germany and The International Council of The Museum of Modern Art.
Electronic subtitles by Sub-Ti, London.
Related Film Screenings
http://www.moma.org/visit/calendar/films/1117#related_screenings
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Paula Hayes, Nocturne of the Limax maximus
Museum Lobby
Organized by Ann Temkin
Since the 1990s, New York–based artist and landscape designer Paula Hayes (b. 1958) has produced botanical sculptures—organically shaped vessels made from blown glass, silicone, or acrylic and filled with a rich variety of plant life—that expand upon the classic terrarium, both through their imaginative containers and the microcosmic universes within.
Hayes has conceived an installation for the Museum lobby that includes a fifteen-foot-long, wall-mounted horizontal sculpture for the west wall, and a free-standing, egg-shaped, floor-to-ceiling structure nearby. Organic in form and containing a variety of living plants, the vessels will add a joyful vitality to the lobby, enlivening the space during the winter season.
Organized by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, in collaboration with the artist.
Image: Variety. 1925. Germany. Directed by Ewald André Dupont
Press contact:
Casey Fitzpatrick 212/708-9431 or casey_fitzpatrick@moma.org or 212/708-9431 or pressoffice@moma.org
Opening November 17, 2010
The Museum of Modern Art
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