Roxana Pennie - Calum Sutton PR
A major solo exhibition featuring 'Vertical Works' at Ambika P3, University of Westminster and works on paper at Spruth Magers London. McCall first took up filmmaking in order to record such performance works, which, in turn, led to an increasing interest in the medium of film itself, and the idea of making films that existed only in the present tense. On Tuesday March 1, McCall will give an Artist's talk in the Starr Auditorium of Tate Modern (6:30pm to 8pm).
Sprüth Magers Berlin London is delighted to present a major solo exhibition by Anthony McCall featuring
‘Vertical Works’ at Ambika P3, University of Westminster and works on paper at Sprüth Magers London.
Internationally recognised for groundbreaking work which occupies a space between sculpture, cinema and
drawing, British-born McCall trained at Ravensbourne College of Art & Design in the mid 1960s. Shortly
afterwards, in the early 1970s, he began working with performance and film, initially through a series of open-air
performances which were significant for their minimal use of elements such as fire.
McCall first took up filmmaking in order to record such performance works, which, in turn, led to an increasing
interest in the medium of film itself, and the idea of making films that existed only in the present tense. After
moving to New York in 1973, he began his series of ‘solid-light’ works with the seminal Line Describing a Cone,
in which a volumetric form composed of projected light slowly materializes in three-dimensional space. In this
and subsequent solid-light installations, McCall deconstructs cinema by reducing the medium of film to its most
basic elements of time and light. At same time, the idea of cinema is expanded to incorporate sculptural space,
with the creation of complex three-dimensional chambers of light, which imperceptibly alter and shift based on a
controlling durational structure. McCall’s work has influenced a generation of artists working with film and
installation.
McCall’s early 16mm films, such as Long Film for Four Projectors, 1974, as well as many works made in recent
years, for example You and I, Horizontal, 2005, maintain a horizontal orientation. The projections occupy the
length of the room -- the projector one end, the projected line-drawing (the image) on the wall at the other end,
with the luminous conical object occupying the space in between. This orientation retains links back to its roots
in cinema. A number of these works formed the core of his well-attended Serpentine Exhibition a few years ago
(30 November 2007 – 3 February 2008).
Over the past five years McCall has also explored solid-light works that are oriented vertically – projecting
downwards from the ceiling onto the floor, forming 10-metre tall, conical ‘tents’ of light, with a base of about 4
metres. Here, the projected line-drawing on the floor is, quite literally, the footprint of the work, with the three-
dimensional ‘body’ rising up from the floor and finally narrowing to a point at the lens of the projector, well-above
one’s head. From the point-of-view of the observer, the vertical pieces create a profoundly different type of
encounter. Four of these works, each of them showing in the UK for the first time, will be presented as a single
installation in the Ambika P3 exhibition space. The works are Breath (2004), Breath III (2005), Meeting You
Halfway (2009) and You (2010).
Works on Paper at Sprüth Magers London will include working drawings for the vertical works, as well as
drawings related to McCall's recent public commissions and proposals, including Column (Liverpool), Light
House (Auckland), Traveller (San Francisco), and Crossing the Hudson (New York).
Anthony McCall lives and works in New York. Solo exhibitions include Centre Pompidou, Paris (2004); Institut
d’Art Contemporain, Villeurbanne, France (2006); Musée de Rochechouart, France (2007); Serpentine Gallery,
London (2007-8); Hangar Bicocca, Milan (2009); Moderna Museet, Stockholm (2009). Group exhibitions include
‘Into the Light: the Projected Image in American Art 1964-77’ at the Whitney Museum of American Art (2001-2);
‘The Expanded Screen: Actions and Installations of the Sixties and Seventies’ at Museum Moderner Kunst,
Vienna (2003-4); ‘The Expanded Eye’ at the Kunsthaus Zurich (2006); ‘Beyond Cinema: the Art of Projection ‘ at
the Hamburger Bahnhof, Berlin (2006-7); ‘The Cinema Effect: Illusion, Reality and the Projected Image’ at the
Hirshhorn Museum, Washington DC (2008) and On Line: Drawing Through the Twentieth Century at the
Museum of Modern Art, New York (2010-11).
Anthony McCall was recently awarded a large sculptural commission for 2012 by the Arts Council and the
Cultural Olympiad, to realise his Column in North-West England: a sinuous column of cloud that rises from the
surface of the water into the sky. Please see www.artiststakingthelead.org.uk/north-west/anthony-mccall-projected-column for further information.
Events
On Tuesday March 1, McCall will give an Artist’s talk in the Starr Auditorium of Tate Modern (6:30pm to 8pm).
Afterwards, at 8:30pm in the East room, he will present the first showing of his just-completed Line Describing a
Cone 2.0, the much anticipated digital re-make of his 16mm film Line Describing a Cone (1973). The film and
the digital re-make will be shown alongside one another. For an interview about the re-make, please see:
http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/godfreymccall.htm.
For more information, interviews, or images, please contact Roxana Pennie at Calum Sutton PR:
T: +44 (0) 20 7183 3577 E: roxana@suttonpr.com
Opening 28 February 2011
Ambika P3
35-100 Marylebone Road, NW1 5LS
Opening hours: Tuesday – Sunday, 10am-6pm
Admission: Free
Sprüth Magers London
7A Grafton Street, London, W1S 4EJ
Opening hours: Tuesday – Saturday, 10am-6pm
Admission Free