This exhibition contains films and photographs from 1970 Â 74, a period shortly before the artist disappeared without trace while sailing from Cape Cod, Massachusetts, to the intended destination of Land's End in Britain.
It is Index's great pleasure to be the first Swedish institution to exhibit
Dutch artist Bas Jan Ader in a one-man show. Bas Jan Ader was born in 1942
in Winschoten, Holland and lived and worked in Los Angeles from 1963 until
his untimely death in 1975. This exhibition contains films and photographs
from 1970 Â 74, a period shortly before the artist disappeared without trace
while sailing from Cape Cod, Massachusetts, to the intended destination of
Land's End in Britain.
Bas Jan Ader is a familiar figure in contemporary art, his art has function
as a great source of inspiration for younger artists. His method, employing
equal quantities of light melodrama and critical self-irony, approaching
existentially coloured issues, is convincingly expressed in the film 'I'm
too sad to tell you' (1971). The artist films himself, completely shattered
and overwhelmed by his emotions, weeping and unable to communicate. Through
his work, Bas Jan Ader succeeds in combining such pitiful touches with a
sober conceptualism, in what German art critic Jan Verwoert has called
'emotional conceptualism', a concept he will elaborate in a talk at Index
during April.
Despite moving early in his career to the American west coast, much of Bas
Jan Ader's work bears his European background. The photo series 'Pitfall on
the way to a new Neo Plasticism, Westkapelle, Holland' (1971) as well as the
film 'Untitled (Flowerwork)', 1974, showing the artist arranging blue,
yellow and red flowers in a vase, are all clear comments on fellow
countryman Piet Mondriaan and neo-plasticism's utopian doctrine. These works
are combined with a chiefly American performance tradition, where the artist
tests his body's limits and fragility in a series of actions. The exhibition
also includes a lesser-known side of Bas Jan Ader, namely his connection to
Scandinavia. Two works here were produced during trips to Sweden in the
early 70s.
Jan Verwoert is an art critic and writer based in Hamburg. He is a regular
contributor to Frieze, Afterall, Springerin and Camera Austria. Jan
Verwoert's visit in Stockholm has been made possible by IASPIS, Stockholm.
This exhibition is a collaboration between Index and Rooseum, Malmö. The
exhibition is supported by the Royal Netherlands Embassy.
Image: Bas Jan Ader, "Farewell to Faraway Friends," color photography, 1971.
For further information and press images, please contact Index.
The Index exhibition programme is curated by Andreas Gedin, Helena Holmberg,
Mats Stjernstedt and Niklas Östholm.
Opening, Wednesday 19 March, 5 Â 8 p.m.
Index- The Swedish Contemporary Art Foundation
S:t Paulsgatan 3, Box 151 52, 104 65 Stockholm
tel: 08-640 94 92, 08-640 60 69