Performance, Actionism and Concepts from the Charim Collection. The exhibition include significant pieces from the early 1970s. The selection of works reflects the family background of the Charims in Vienna's paradoxical situation after the Second World War: radical conceptual art forms sprang up, rejecting antiquated bourgeoisie in both their contents and politics, and these sparked the interest of the collectors.
The exhibition IN ACTION – Performance, Actionism and Concepts from the Charim Collection can be seen at Berlin’s Salon Dahlmann from 12 September 2012, and will include significant pieces from the early 1970s by VALIE EXPORT, Otto Muehl, Günter Brus, Arnulf Rainer/Dieter Roth, Rudolf Schwarzkogler, Franz West and Hermann Nitsch, often rarely, if ever, previously shown. The exhibition will also present outstanding contemporary works by Maja Bajevic, John Bock, Roberta Lima, Chloë Piene, Lisl Ponger, Christoph Schlingensief, Taryn Simon, Milica Tomic, Ingrid Wiener and Maya Zack, which refer back to and cross-reference these approaches.
At the centre of IN ACTION are the still influential works of VALIE EXPORT. A pioneer of critical feminist art, she deployed her own body with a polarising radicalism, breaking through traditional concepts of femininity within a discourse, at that time, largely dominated by men. Alongside photographs, works on paper, texts, installations and showcases of reference materials on her early performances, an extensive array of 29 video films documents VALIE EXPORT’s unique status as a media artist.
Including works by the early Vienna Actionists Otto Muehl, Günter Brus, Arnulf Rainer/Dieter Roth, Franz West and Rudolf Schwarzkogler, IN ACTION also introduces significant players from the period around 1970. These pieces challenge both the prevailing male, phallocentric viewpoint and the socially critical position of the artist in person. Categorically rejecting moral taboos, Christian constraints and the clinical image of the body, the aim of Viennese Actionism was to break all boundaries in art.
The selection of works reflects the family background of the Charims in Vienna’s paradoxical situation after the Second World War: radical conceptual art forms sprang up, rejecting antiquated bourgeoisie in both their contents and politics, and these sparked the interest of the collectors. Intellectual affinity with the content of their stance developed into friendship with the artists, whose works were striving for a new, open-minded society like the one in which the collectors – personally involved in politics and culture – were living. The collection, which grew up over many years, is characterised by an unsated hunger for the new and the experimental, with a preference for the performative. Critical enquiries into socially determined roles are at its core and the exhibition shows how these issues are reflected in artistic trends both then and now.
The exhibition of the Austrian Charim Collection in Berlin is a unique opportunity for an intense encounter with one of the most radical artistic movements of the 20th century. The long-term significance of this 1970s current – now part of art history – can be experienced in dialogue with selected contemporary artworks from the collection.
Image: Hermann Nitsch, o.T., 1974. Öl auf Leinwand, 105 x 80 cm © Hermann Nitsch Courtesy Sammlung Charim
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Opening on Wednesday 12 September 2012 from 7pm
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