One of Europe's most celebrated living artists, Per Kirkeby (Danish, b. 1938), is a painter, sculptor, geologist, filmmaker, writer, and poet. His works incorporate all aspects of natural history. The exhibition features 26 richly layered paintings and 11 striking bronzes.
co-curated by Phillips Director Dorothy Kosinski and Curator at Large Klaus Ottmann
Per Kirkeby: Paintings and Sculpture is the most comprehensive survey in the United States to date of works by Scandinavia’s most highly acclaimed living artist, Per Kirkeby (Danish, b. 1938). Equally trained as a geologist and an artist, Kirkeby is a painter of eminent sensuality, creating richly layered canvases filled with prodigious detail and animated by an unequaled material quality of color. He is not only a leading painter, sculptor, and printmaker, but also a prolific writer, poet, and filmmaker.
The exhibition features 26 expressive paintings and 11 striking bronze models. Kirkeby’s paintings—some over six feet tall—are structured like geological strata, constantly in flux, moving and changing, continuously and passionately maintaining a dialogue between art and science. For Kirkeby, art, like science, is engaged in an ongoing, self-correcting process. His works incorporate all aspects of natural history, reflecting the artist’s considerable curiosity about the infinite variety of life.
Kirkeby likens paintings to "collapsing structures," a metaphor borrowed from geology. His bronze sculptures in the exhibition are fragmented bodies—mostly, arms, legs, or heads, often melted together—reminiscent of Auguste Rodin’s radicalized torsos, but rooted in a deep dialogue with nature. He reworks these fragmentary limbs into forms that barely suggest a figure, taking care not to harbor any narrative or anecdotal content.
Kirkeby’s synthesis of history and science is also informed by the art history and landscape of his native Denmark. The contrasting combination of Kirkeby’s deep affinity with Danish romantic naturalism and his empirical training is evident in his film Deer Garden: The Romantic Forest (1970), on view in the exhibition. Shot near Copenhagen, Deer Garden juxtaposes lush, idyllic depictions of the park with dispassionate, factual spoken commentary.
Born in 1938, Per Kirkeby began studying natural history with a specialization in Arctic quaternary geology in 1958 at the University of Copenhagen. That year he made his first trip to Narssaq, Greenland, as a research assistant; additional Arctic expeditions followed in 1959, 1960, and 1963. In 1962, Kirkeby enrolled in the newly created Experimental Art School in Copenhagen, which turned away from traditional artistic practice to embrace new genres including pop art, minimalism, and the radical anti-art Fluxus movement. After 1965, Kirkeby returned to Greenland as an artist, and in 1971, he traveled to Central America to study the Mayan ruins in the ancient cities of Palenque, Yaxchilan, Uxmal, and Copán.
Kirkeby has made more than 20 short films and full-length features that address art and natural history, many in collaboration with filmmaker Lars von Trier. He also has worked with Danish choreographer Peter Martins to create sets and costumes for the New York City Ballet. Among the more than 70 books of poetry, essays, and novels that he has published are poetic reflections on many figures that are important to the Phillips—among them Eugene Delacroix, Paul Gauguin, El Greco, and Vincent van Gogh—as well as Scandinavian artists. A selection of Kirkeby’s films and translations of his writings are on view in the exhibition. His writings on art in English have been published for the first time simultaneously with this exhibition.
Kirkeby lives and works in Copenhagen and Læsø, Denmark, and Arnasco, a small town in Italy. He has received many prestigious awards including the Ars Fennica Award of the Henna and Pertti Niemistö Art Foundation (1993); the Coutts Contemporary Art Foundation Award (1996); and the Herbert-Boeckl-Preis for his life’s work (2003). Major retrospectives of his work were held at the Tate Modern, London (2009), and the Museum Kunstpalast in Düsseldorf, Germany (2010). His work is in the collections of the Metropolitan Museum of Art and Museum of Modern Art, New York; and the Centre Pompidou, Paris. Kirkeby has taught at the Art Academy, Karlsruhe; Hochschule der Künste, Berlin; and Städelschule, Frankfurt am Main.
Organized by The Phillips Collection
Image: Untitled, 1982.Courtesy Michael Werner Gallery, New York, London, and Berlin
Meg Clark: T 202 3872151 email@example.com
Cecilia Wichmann 202-387-2151 x235 firstname.lastname@example.org
Amy Wike, 202-387-2151 x220 email@example.com
Exhibition Press Preview: Wednesday, Oct. 3, 9:30 a.m. coffee and registration; 10 a.m. remarks; galleries open until noon
The Phillips Collection
1600 21st Street, NW, Washington, D.C. Dupont Circle Metro (Q Street exit)
Tuesday‒Saturday 10 am‒5 pm
Sunday 11 am‒6 pm
Thursday extended hours 5‒8:30 pm
Closed Mondays, New Year’s Day, Independence Day, Thanksgiving Day, Christmas Eve, and Christmas Day
Visitors 62 and over $10
Visitors 18 and under Free
Tuesday–Friday by donation
Visitors 62 and over $10
Visitors 18 and under Free