Jeremiads, a new exhibition of works by Stephen Ellis that for the first time in his career merge words with paint. Ellis lays out these paintings on his signature scaffolding--a complex grid of competing geometric systems. In earlier works, bright color blocks juxtaposed with striped patterns and swirling gestures allude to urban architecture, photography, and cinema.
JEREMIADS
Von Lintel Gallery proudly presents JEREMIADS, a new exhibition of
works by Stephen Ellis that for the first time in his career merge
words with paint.
The artist describes the origin of this series:
Because I have lived for thirty years a few blocks from the World Trade
Center, the experience of September 11th violently united the personal
and the political for me. Afterward, as a way of coping with insomnia,
I began to read poetry and to keep a file of the poems that I found
affecting. Several months later, I woke up with a head full of images
of these poems translated into the language of my paintings. Sudden as
the vision was, it was not one I had anticipated or even wanted, but
one that germinated gradually and involuntarily. Whatever else they may
be, these paintings are not intended as didactic or hortative political
statements; rather, I think of them as lamentations or jeremiads
provoked by the events of the last two years.
Ellis lays out these paintings on his signature scaffolding--a complex
grid of competing geometric systems. In earlier works, bright color
blocks juxtaposed with striped patterns and swirling gestures allude to
urban architecture, photography, and cinema. In JEREMIADS, the same
coordinates have evolved into virtual sheet music for lyrical excerpts
of grave and haunting poems about centuries of human violence spanning
ancient Greece, medieval Persia, 20th-century Ireland, and contemporary
America.
Matching the style and force of his marks to the natural rhythm and
tempo of the poems, Ellis deliberately draws outside the measures,
alternating between rants in bright capital letters and whispers in
dark, almost illegible script. Words and entire phrases are often
rearranged, omitted, scraped away, washed off, then covered by new
layers of paint. No sooner are image and text merged than they are
submerged into each other, revealing then concealing whatever traces of
beauty and meaning may be found in devastation.
Stephen Ellis has exhibited widely in the United States and Europe, and
is represented in numerous public and private collections
internationally.
For more information please contact the gallery 212-242-0599
Opening
Reception: Thursday, November 20, 6-8 PM
VON LINTEL GALLERY
555 WEST 25TH STREET, 2ND FL
NEW YORK, N.Y. 10001
T: 212 242 0599 F: 212 242 0803