Alone in an empty room. Tuazon's works, notably constructions in wood, concrete and steel are inspired by the tradition of do-ityourself and survivalist architecture, adopted less in terms of form and more as a kind of strategy. His works are linking ideas of the Land Art movement with Minimal Art, combining the idea of the abstract with down-to-earth construction.
Oscar Tuazon (*1975 in Tacoma, Washington) works in outdoor and interior space. His constructions extending out into three dimensions can break the bounds of a building or create new spaces, both visible and invisible. He articulates his great interest in physical labor and the genesis of an artwork through his pieces, which operate in the area between sculpture and architecture, as well as through his choice of materials, which above all include wood, metal, concrete and stone.
The forms he gives his works bring the ideas of Land Art together with Minimal Art and thus link a certain notion of abstraction with the actual construction, which is shaped by extreme physical demands and ever different spatial considerations. Tuazon often takes active part in the making of his pieces, working on site at highly diverse locations alongside laborers and specialists. This collective effort and communication adds a performative dimension to his work.
His practice is also influenced however by his deep reflections on the history of art from recent decades – his concrete references to Carl Andre, Richard Serra, Bruce Nauman, Robert Smithson and also for instance Gordon Matta-Clark amount to a new positioning of the discourse about space, material and labor in contemporary art.
At the Museum Ludwig he will realize a unique piece on the wide open spaces of the staircase and with that posit a counter-argument to the existing architecture. The exhibition will extend over two stories, with standard repertoire elements from the architecture of a small house strewn about the entire space occupied by the staircase in the museum. The site-specific argument in this work hinges on the direct combination and juxtaposition of public and private space and the constructional characteristics and social requirements with which they are connected. Oscar Tuazon tests models in a new manner by thinking both concept and sculpture anew.
Image: Oscar Tuazon, Cinderblocks, Douglas Fir, Steel, Museum Ludwig, 2013, Courtesy the artist and Galerie Eva Presenhuber, Zurich
contact:
Anne Niermann / Leonie Pfennig
Press and Public Relations
Heinrich-Böll-Platz, 50667 Köln
Tel: +49 221 221 23491 / 23003
niermann@museum-ludwig.de
leonie.pfennig@museum-ludwig.de
Press preview february 13
Opening: Friday, February 14, 7 p.m.
Museum Ludwig
Heinrich-Böll-Platz - 50667 Köln
Opening times
Tue to Sun (incl. public holidays): 10 a.m. to 6 p.m.
Every 1st Thu of each month: 10 a.m. to 10 p.m.
Closed on Mondays
Admission
Tickets are valid for one day and give access to permanent and special exhibitions.
Adults: 10,00 €, concession: 7,00 € (for children, students, trainees), families: 20,00 €
Groups (min. 20): 7,50 € per person
Groups of students and teachers: free admission to permanent exhibition, 4,00 € per student/teacher for special exhibitions.
On the first Thursday of each month from 5 pm, admission charge is reduced by 50% for the permanent exhibition and to 5,00 € (concessions 3.50 €) for all special exhibitions. On these evenings the museum presents a varied programme of music, films, lectures, talks with artists and much more.
Free admission to the permanent collection for children up to 6 years, for Cologne residents up to 18 years, students (incl. 2 teachers per group), holders of the KölnPass, Cologne residents on their birthday. Admission charges for special exhibitions apply.