The exhibition identifies occasions in art when the seductions of consummate style or cleverness are sacrificed to gain access to a greater artistic, philosophical or spiritual reality.
Curated by Michael Bracewell
Works by Steven Campbell, Edward Krasinski, Linder, Bruce Nauman, Robert Whitman, Katharina Wulff and Cerith Wyn Evans
Taking its title from an exhortation made by Miles Davis to his musicians, this exhibition identifies occasions in art when the seductions of consummate style or cleverness are sacrificed to gain access to a greater artistic, philosophical or spiritual reality. Such attainment may be achieved in varied ways: by invoking states of invisibility or self-negation, by the assumption of a mythic identity, by transforming repetition into incantation, or through the conversion of aphoristic elegance into gestures of transcendence.
These ideas are informed by the existentialist writings of Søren Kierkegaard on the nature of subjectivity and faith, and the inspiration taken from them by W.H. Auden, notably in his poem ‘New Year Letter’, written subsequent to his arrival in New York in 1939 and shortly before his reconversion to Anglicanism.
Image: Edward Krasinski, Spear, c. 1963/64. Photograph by Eustachy Kossakowski © Hanna Ptaszkowska and archive of Museum of Modern Art Warsaw. Courtesy Paulina Krasińska and Foksal Gallery Foundation
56 Artillery Lane - London E1 7LS
Wednesday to Sunday 11am–6pm