Lawrence Abu Hamdan
Angie Atmadjaja
Kader Attia
Nina Beier & Marie Lund
Daniela Brahm & Les Schliesser
Peter Cusack
Clare Gasson
Marco Godinho
Christine Sun Kim
Brandon Labelle
Andra McCartney
John Menick
Angel Nevarez & Valerie Tevere
Udo Noll
Emeka Ogboh
Yoko Ono
Susan Schuppli
Christine Sullivan & Rob Flint
John Wynne
The Notion and Politics of Listening. The exhibition attempts to reconcile audio practices with contemporary social and political realities and invites the visitor to actively experience, listen and engage with the sense of hearing to the various complex interplays. Works by Lawrence Abu Hamdan, Kader Attia, Brandon Labelle, Yoko Ono and many others.
curated by Berit Fischer and Kevin Muhlen
Artists: Lawrence Abu Hamdan, Angie Atmadjaja, Kader Attia, Nina Beier & Marie Lund, Daniela Brahm & Les Schliesser, Peter Cusack,
Clare Gasson, Marco Godinho, Christine Sun Kim, Brandon Labelle, Andra McCartney, John Menick, Angel Nevarez & Valerie Tevere,
Udo Noll, Emeka Ogboh, Yoko Ono, Susan Schuppli, Christine Sullivan & Rob Flint, John Wynne
In the Old English word hlysnan, “to listen”, the focus is on the notions of attention and intent. Similarly the emphasis in
the project HLYSNAN: The Notion and Politics of Listening lies on the active act not merely of hearing – usually referring to
automatic or passive sound perception – but rather specifically on listening; hearing with intent.
Listening requires intensified concentration and attentiveness towards what one is listening to; it is linked to the notion of
desire, anticipation and understanding, a striving for a possible meaning. HLYSNAN: The Notion and Politics of Listening under-
stands listening as agency, as gesture, as attitude and as taking a position.
The exhibition attempts to reconcile audio practices with contemporary social and political realities and invites the visitor to
actively experience, listen and engage with the sense of hearing to the various complex interplays. Part of the investigations is
for example the vocal gesture in specific situations like political speeches, legal and juridical contexts, or recording techniques
and their impact in regard to documentation, writing and (re)creating history, and in the shaping of our culture and reality.
The soundscapes and sonorous textures emanating from specific works presented in the exhibition may provoke immediate
physical reactions, whereas other audible stimulus may address and question socio-political issues.
The 21st century, as much as contemporary exhibition making, is undeniably marked as an era of imagery and viewing.
Despite many current exhibitions around the subject of sound in which the focus often lies on the visualisation of sound waves
or the technicalities and materiality involved around it, HLYSNAN: The Notion and Politics of Listening departs from the repre-
sentation and visual rendering of acoustic space and submits the auditory perception for consideration. Rather than displaying
works destined for the eyes, the emphasis lies on the immaterial, the non-consumerist and the non-spectacle, in order to
achieve a heightened concentration on the targeted sense.
The accompanying HLYSNAN: The Notion and Politics of Listening publication is considered an extending and supplementing
format to the exhibition. Not only the concepts materialised in the exhibition are developed and contextualised further, but
with complementing contributions by additional artists, the project offers a comprehensive overview on the various questions
around the notion and politics of listening.
Exhibition realised with the support of: L‘Institut Français du Luxembourg. Media partner: Odds & Ends by Radio Ara.
The project „October 2013 – obsidian flow“ piece retitled February 2014“, 2014 by Clare Gasson has been supported using public funding by
Arts Council England and British Council.
PUBLICATION
HLYSNAN: The Notion and Politics of Listening, to be released on 16 May 2014.
The accompanying publication is considered an extending and supplementing format to the exhibition. Not only the concepts
materialised in the exhibition are developed and contextualised further, but with complementing contributions by additional
artists, the publication offers a comprehensive overview on the various questions around the notion and politics of listening.
Edited by Berit Fischer.
In collaboration with Casino Luxembourg – Forum d‘art contemporain, 2014.
Artists contributions by: Lawrence Abu Hamdan, Angie Atmadjaja, Kader Attia, Nina Beier & Marie Lund, Daniela Brahm &
Les Schliesser, Peter Cusack, Clare Gasson, Marco Godinho, Christine Sun Kim, Brandon Labelle, Andra McCartney, John
Menick, Angel Nevarez & Valerie Tevere, Udo Noll, Emeka Ogboh, Yoko Ono, Susan Schuppli, Christine Sullivan & Rob Flint,
John Wynne.
With a foreword by Kevin Muhlen and a text by Berit Fischer.
In English language.
152 p., col. ill; 185 x 245 mm, hard cover. ISBN 978-99959-30-23-3. Price: 23 EUR
PERFORMANCES, TALKS AND WORKSHOPS
Christine Sullivan & Rob Flint [EN]: Conversation Piece [performance]
Wednesday 21 May 2014 | 7 p.m.
Peter Cusack [EN]: Sounds from Dangerous Places: Sonic Journalism [artist talk]
Thursday 19 June 2014 | 6.30 p.m.
http://sounds-from-dangerous-places.org/
Udo Noll [DE + EN]: FM Walks – Künstlerische Radioproduktion im öffentlichen Raum [workshop for adults]
Saturday 5 & Sunday 6 July 2014 | 11 a.m. – 6 p.m.
Booking: visites@casino-luxembourg.lu. Max. 10 participants. Costs: 65 EUR / person
Clare Gasson [EN]: “October 2013 – obsidian flow“ piece retitled February 2014“, 2014 [performance]
A series of one-to-one readings by artist Clare Gasson. Please book in advance to take part in one of the readings (in English;
lasting no longer then 10 minutes): visites@casino-luxembourg.lu.
The readings are organised on these dates (every 15 minutes):
Saturday 17 May – Monday 19 May | 11 a.m. – 1 p.m.
Thursday 12 June | 3 p.m. – 8 p.m.
Friday 13 June | 11 a.m. – 1 p.m. & 2 p.m. – 6 p.m.
Thursday 24 July | 3 p.m. – 8 p.m.
Friday 25 July | 11 a.m. – 1 p.m. & 2 p.m. – 6 p.m.
Thursday 4 September | 3 p.m. – 8 p.m.
Friday 5 September | 11 a.m. – 1 p.m. & 2p.m. – 6p.m.
Saturday 6 & Sunday 7 September | 11 a.m. – 1 p.m. & 2 p.m. – 6 p.m.
Press contact
Casino Luxembourg – Forum d‘art contemporain
Nadine Clemens
nadine.clemens@casino-luxembourg.lu
T (+352) 22 50 45
Casino Luxembourg
Forum d’art contemporain
41, rue Notre-Dame - L-2240 Luxembourg
Opening hours
Mon / Wed / Fri: 11 a.m. - 7 p.m.
Thu: 11 a.m. - 8 p.m.
Sat / Sun / public holidays:
11 a.m. - 6 p.m.
Closed on Tue, on 01.11., 25.12. and 01.01.
Entrance fee
Adults (26 - 59 years): 5 €
Young people (21 - 25 years): 3 €
60+, groups (min. 10 pers.): 3 €
Children and students (0 - 25 years): free
Free entrance: Laissez-Passer, muséeskaart, LuxembourgCard, Amis des Musées Luxembourg, AICA, AMGR, ICOM, ICOMOS, IKT, Kulturpass, press
Free entrance on Thursday evenings from 6 p.m. to 8 p.m.