calendario eventi  :: 

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26/6/2014

Two exhibitions

Museum of Contemporary Art Cleveland MOCA, Cleveland

Someday is Now:
The Art of Corita Kent

Someday is Now: The Art of Corita Kent is the first full-scale survey of more than thirty years of work by Corita Kent (1918-1986). A teacher at Immaculate Heart College in Los Angeles and a civil rights, feminist, and anti-war activist, Corita, as she is commonly referred to, was one of the most popular American graphic artists of the 1960s and 1970s. Throughout her rich and varied career, she made thousands of posters, murals, and signature serigraphs that combine her passions for faith and politics. Reflecting larger questions and concerns of the 1960s, her images remain iconic symbols of that turbulent time. Corita's earnest, collaborative approach to art-making—combining faith, politics, and teaching with messages of acceptance and hope—continues to be a potent influence for many artists working today.

A Sister of the Immaculate Heart of Mary, Corita taught at the Art Department at Immaculate Heart College from 1947 through 1968. At IHC, she developed her own version of Pop art, mixing bright, bold imagery with provocative texts pulled from a range of secular and religious sources, including street signs, scripture, poetry, philosophy, advertising, and pop song lyrics. She used printmaking as a populist medium to communicate with the world, and her avant-garde designs appeared widely as billboards, book jackets, illustrations, and posters. Together with her students, Corita sought out revelation in the everyday, exploring grocery stores, car dealerships, and the streets of Hollywood for inspiration. As Corita’s friend, theologian Harvey Cox, noted, “Like a priest, a shaman, a magician, she could pass her hands over the commonest of the everyday, the superficial, the oh-so-ordinary, and make it a vehicle of the luminous, the only, and the hope filled.”

The first major museum exhibition to survey Corita's entire career, Someday is Now features over 200 serigraph prints including early abstractions and text pieces as well as more lyrical works made in the 1970s and 1980s. In addition, the exhibition presents rarely exhibited drawings and photographs Corita used for teaching and documentary purposes. These works provide a telling and visually stimulating record of 1960s politics, visual styles, and pop culture.

An extensive catalogue co-published by DelMonico–Prestel will accompany the exhibition, bringing together for the first time three decades of Kentʼs energetic, colorful artwork with a selection of her legendary assignments, excerpts from her own writing, and statements from former students, collaborators, and contemporary artists and designers influenced by her art and spirit.

Someday is Now: The Art of Corita Kent is made possible with the generous support of the Andy Warhol Foundation for the Visual Arts and the Friends of the Tang.

TOUR SCHEDULE:
Someday is Now was on view at the Tang Museum at Skidmore College January 19—July 28, 2013. The exhibition will also travel to the Andy Warhol Museum in Pittsburgh (January 31—April 18, 2015) and the Pasadena Museum of California Art (June 14—October 11, 2015).

SPONSOR INFORMATION:
Someday is Now: The Art of Corita Kent is made possible with the generous support of PwC, Ronald and Deborah Ratner, The United Church of Christ, John P. Murphy Foundation, Judy Gerson and Jill Gerson Parker, and Thompson Hine LLP.

The Summer Season is sponsored by Skylight Financial Group.

All 2014 Exhibitions are funded by The Andy Warhol Foundation for the Visual Arts, and Leadership Circle gifts from the Britton Fund, Doreen and Dick Cahoon, Joanne Cohen and Morris Wheeler, Margaret Cohen and Kevin Rahilly, Becky Dunn, Margaret Fulton Mueller, Harriet and Victor Goldberg, Agnes Gund, Donna and Stewart Kohl, Toby Devan Lewis, and Scott Mueller.

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Hans Op de Beeck: Staging Silence (2)

Hans Op de Beeck works with a variety of media, including sculpture, installation, video, photography, painting, and writing. Introducing strange elements to familiar characters and locations, Op de Beeck creates an uncertain sense of time and place. His still lifes, landscapes, and interiors explore how our vision of the world is shaped by a blend of genre, imagination, and memory. This exhibition presents Op de Beeck’s black-and-white video Staging Silence (2) (2013). Expanding on the intricacy of Staging Silence (2009), the work shows a series of miniature dioramas being seamlessly assembled. Only the hands and arms of the off-screen builders are visible, while their actions, and the settings they create, fade in and out of view. A snow-covered forest, modernist apartment, and futuristic cityscape, along with many other scenes, are created using everyday materials, dramatic lighting effects, and tricks of perspective. Watching the illusions take shape, viewers are pushed between material reality and shadowy, dreamlike environments, which call up mysterious stories.

Hans Op de Beeck (1969, Turnhout, Belgium) lives and works in Brussels, Belgium. Solo exhibitions of his work have been held at the MIT List Visual Arts Center; Tampa Museum of Art, Florida; Kunstverein Hannover, Germany; The National Museum of Contemporary Art, Bucharest, Romania; and The Hirshhorn Museum and Sculpture Garden, Washington, D.C. In 2006 Op De Beeck was the Winner of the Prize Eugène Baie, and in 2001 he was awarded the prestigious Young Belgian Painters Award.

SPONSOR INFORMATION:
Hans Op de Beeck: Staging Silence (2) is made possible with the generous support of Hahn Loeser & Parks LLP.

The Summer Season is sponsored by Skylight Financial Group.

All 2014 Exhibitions are funded by The Andy Warhol Foundation for the Visual Arts, and Leadership Circle gifts from the Britton Fund, Doreen and Dick Cahoon, Joanne Cohen and Morris Wheeler, Margaret Cohen and Kevin Rahilly, Becky Dunn, Margaret Fulton Mueller, Harriet and Victor Goldberg, Agnes Gund, Donna and Stewart Kohl, Toby Devan Lewis, and Scott Mueller.

Image: Hans Op de Beeck, Staging Silence (2), 2013, HD video with sound, 20:48 minutes. Courtesy of the artist and Marianne Boesky Gallery, New York.

Museum of Contemporary Art Cleveland
11400 Euclid Avenue - Cleveland, Ohio 44106
Tuesday through Sunday: 11am - 5pm
Open late Thursdays until 9pm
Closed Mondays
Free for MOCA Cleveland Members, children 5 and under, Active Military and Veterans + 1 guest, and Museum Employees + 1 guest.
$8 General Admission:
$6 Seniors (Ages 65+)
$5 Students (with valid ID)
Free admission for all visitors on the first Saturday of the month, sponsored by Medical Mutual.

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