Conflict, Time, Photography
dal 25/11/2014 al 14/3/2015
Segnalato da
25/11/2014
Conflict, Time, Photography
Tate Modern, London
This exhibition concerns the relationship between photography and sites of conflict over time, highlighting the fact that time itself is a fundamental aspect of the photographic medium.
From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography.
In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect.
The immediate trauma of war can be seen in the eyes of Don McCullin’s Shell-shocked US Marine 1968, while the destruction of buildings and landscapes are documented by Simon Norfolk’s Afghanistan: Chronotopia 2001.
Different conflicts will also reappear from multiple points in time throughout the exhibition. The Second World War for example is addressed in Jerzy Lewczynski’s 1960 photographs of the Wolf’s Lair / Adolf Hitler’s War Headquarters, Shomei Tomatsu’s images of objects found in Nagasaki, Kikuji Kawada’s epic project The Map made in Hiroshima in the 1960s, Michael Schmidt’s Berlin streetscapes from 1980 and Nick Waplington’s 1993 close-ups of cell walls from a Prisoner of War camp in Wales.
The exhibition is staged to coincide with the 2014 centenary and concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.
Organised by Tate Modern, London in association with Museum Folkwang, Essen and Staatliche Kunstsammlungen Dresden
Press Officer
Duncan Holden Call +44 (0)20 78874939 Email duncan.holden@tate.org.uk
Assistant Press Officer: Cecily Carbone Call +44 (0)20 78878731 Email cecily.carbone@tate.org.uk
Opening: 26 November 2014
Tate Modern
Bankside London
Opening times:
Sunday – Thursday, 10.00–18.00
Friday and Saturday, 10.00–22.00
Closed 24–26 December
Free entry