From the Thomas Walther Collection, 1909-1949. The exhibition explores photography between the First and Second World Wars, when creative possibilities were never richer, and when photographers approached figuration, abstraction, and architecture with unmatched imaginative fervor.
Modern Photographs from the Thomas Walther Collection, 1909–1949 explores photography between the First and Second World Wars, when creative possibilities were never richer or more varied, and when photographers approached figuration, abstraction, and architecture with unmatched imaginative fervor. This vital moment is dramatically captured in the photographs that constitute the Thomas Walther Collection, a remarkable group of works presented together for the first time through nearly 300 photographs. Made on the street and in the studio, intended for avant-garde exhibitions or the printed page, these objects provide unique insight into the radical intentions of their creators. Iconic works by such towering figures as Berenice Abbott, Karl Blossfeldt, Alvin Langdon Coburn, El Lissitzky, Lucia Moholy, László Moholy-Nagy, Aleksandr Rodchenko, and Paul Strand are featured alongside lesser-known treasures by more than 100 other practitioners.
The exhibition is organized by Quentin Bajac, the Joel and Anne Ehrenkranz Chief Curator of Photography, and Sarah Hermanson Meister, Curator, Department of Photography, MoMA.
The exhibition coincides with Object: Photo. Modern Photographs: The Thomas Walther Collection 1909–1949, the result of a four-year collaborative project between the Museum’s departments of Photography and Conservation, with the participation of over two dozen leading international photography scholars and conservators, making it the most extensive effort to integrate conservation, curatorial, and scholarly research efforts on photography to date. That project is composed of multiple parts including a website that features a suite of digital-visualization research tools that allow visitors to explore the collection, a hard-bound paper catalogue of the entire Thomas Walther collection, and an interdisciplinary symposium focusing on ways in which the digital age is changing our engagement with historic photographs.
Modern Photographs from the Thomas Walther Collection, 1909–1949, is organized thematically into six sections, suggesting networks between artists, regions, and objects, and highlighting the figures whose work Walther collected in depth, including André Kertész, Germaine Krull, Franz Roh, Willi Ruge, Maurice Tabard, Umbo, and Edward Weston. Enriched by key works in other mediums from MoMA’s collection, this exhibition presents the exhilarating story of a landmark chapter in photography’s history.
The Thomas Walther Collection Project is made possible by The Andrew W. Mellon Foundation.
Major support is provided by The Museum of Modern Art’s Research and Scholarly Publications endowment established through the generosity of The Andrew W. Mellon Foundation, the Edward John Noble Foundation, Mr. and Mrs. Perry R. Bass, and the National Endowment for the Humanities’ Challenge Grant Program; with additional funding from The John Szarkowski Publications Fund.
Image Wili Ruge
For additional information on the symposium Reconsidering the Object: Approaches to Researching Interwar Photography in the Digital Age, held on December 12, at 10:00 a.m.
Paul Jackson, (212) 708-9593 or email@example.com
Margaret Doyle, (212) 408-6400 or firstname.lastname@example.org
Press Viewing Hour: Wednesday, December 10, 9:30 to 10:30 a.m.
The Edward Steichen Photography Galleries, third floor
The Museum of Modern Art MoMA
11 West 53 Street, New York, NY 10019
Saturday through Thursday, 10:30 a.m.–5:30 p.m. Friday, 10:30 a.m.–8:00 p.m.
$25 adults; $18 seniors, 65 years and over with I.D.; $14 full-time students with current I.D. Free