Math Bass show includes a selection of paintings from the Newz! Series, recent sculptures, and a video. They reflect the artist's interest in the way bodies move through space. Featuring 15 steel sculptures, more than eighty watercolors, and several videos, Jos de Gruyter and Harald Thys make tragic, comic, and silent portraits of the human condition. To celebrate the final Sunday Sessions, Micachu performs a set.
Math Bass
Off the Clock
organized by Mia Locks, Assistant Curator, MoMA PS1.
MoMA PS1 presents the
inaugural
solo museum
exhibition of Los Angeles
-
based artist Math Bass (American, b. 1981).
Off the Clock
includes
a selection of
paintings from the Newz!
Series,
recent
sculptures,
and
also
debut
s
Bass’s
latest
video,
Drummer Boi
(2015). The 2
nd
Floor Project R
ooms at MoMA PS1 will be
architecturally transformed to reflect the artist’s
ongoing interest in
the way bodies move
through space,
probing
the porousness of
defined
structures.
Bass
is interested in ambiguous images that
produce multiple ways of seeing a single
composition. The most famous examples of these kinds of pictures include optical illusions
like the profile of a duck that also looks like a rabbit, or the profile of an old woman that
also looks like a young woman
turning her head away. Employin
g a simplified formal
language
—
solid colors, natural materials, basic geometric sh
apes, and recognizable
symbols
—
Bass’s works oscillate between bodily and architectural forms, emphasizing the
tension between containment and mobility.
Bass’s paintings deploy a personal lexicon that centers on possible actions or transitional
spaces: cigarettes emit plumes of smoke; alligators emerge with mouths wide open;
letters and punctuation marks twist and overlap; and archways, staircas
es, and zigzags
suggest movement. Bass’s sculptures are similarly dynamic
—
bending, leaning, and
slithering across the floor and wall
—
implying potential actions or movements and
corresponding bodily positions. Additionally, Bass invited artist Lauren Davi
s Fisher (b.
1984, Cambridge, Massachusetts) to present a two
-
part work that excises from two
gallery walls a space equal to the exact proportions of an alcove beneath a staircase in
Bass’s Los Angeles studio.
Certain forms recur throughout Bass’s work, changing colors and shifting their orientations
to complicate and prolong the viewer’s engagement with them over time.
In the artist’s
words,“the scene is set on an axis,
and that axis is made to shift.”
Off the
Clock
animates
the transition from work or labor to a space of leisure or play. If the clock represents
rigidity, linearity, or someone else’s authority, then “off the clock” implies a more
personal, open-ended realm that cannot be pinned down.
Evoking bo
dies,
but refusing
easy identification, Bass’s work
insists upon multiple readings with elusive conclusion.
About the Artist
Bass’s work has been exhibited at Overduin & Co., Los Angeles; Wallspace, New York;
Laurel Gitlen, New York; Night Gallery, Los Angeles;
and
Silberkuppe, Berlin; among
others.
Bass
was
also
recently
featured in the 2012 Hammer Museum Biennial,
Made in
L.A.
The exhibition is made possible by MoMA's Wallis Annenberg Fund for Innovation in
Contemporary Art through the Annenberg Foundation.
----------
Jos de Gruyter and Harald Thys
Fine Arts
MoMA PS1 presents
Jos de Gruyter and Harald Thys:
Fine Arts,
an exhibition of works
of new and existing work by
the
Belgian artists
Jos
de Gruyter
(b. 1965) and
Harald Thys
(b. 1966). Featuring
fifteen steel sculptures,
more
than eighty watercolors,
and
several videos, it will
be the artists’ first museum exhibition
in New York
City.
The artists make tragic,
comic,
and silent portraits of the human
condition.
They are drawn to all that society can’t digest or domesticate,
and they
create a
perverse carica
ture that is populated by amateur actors, faces, dolls, animals, and other
speechless objects.
Their work is
deadpan,
in all senses of the word:
funny and blank at
the same time.
Standing at nine
-
feet tall but eight millimeters thick, the sculptures resem
ble cut
-
out
figures or pixelated bodies. Watercolored faces, traced from anonymous images
found
online, are pinned to each one. Appearing throughout a series of eight carpeted
galleries,
the sculptures will be the visitors to an exhibition of
new
watercolo
rs.
This
series
of eighty
-
four watercolors
depict the lives and rituals of groups all over the world
and a
new film,
Die aap van Bloemfontein
(The Ape from Bloemfontein, 2014), relates a story of
impossible and exuberant transformations
— a computer becoming a lawnmower becoming a television.
ABOUT THE ARTISTS
Jos de Gruyter (b. 1965) and Harald Thys (b. 1966) have collaborated since the late
19
80s. They have had numerous solo exhibitions at institutions including Kunsthalle Wien,
Vienna; M HKA, Antwerp; Kunsthalle Basel; Culturgest, Lisbon; and were included in the
Venice Biennale (2013) and the Berlin Biennial (2008). Raven Row, in London, will
present
a solo show in September 2015. De Gruyter and Thys live and work in Brussels.
Jos de Guyter & Harald Thys: Fine Arts
is curated by
Anthony
Huberman, Director and
Chief Curator, CCA Wattis Institute for Contemporary Arts, San Francisco.
The exhibition
at MoMA PS1 expands on the one presented at the Wattis Institute and is co
-
organized
with Peter Eleey, Curator and Associate Director of Exhibitions and Programs,
MoMA PS1.
The exhibition is supported by The General Representation of the Gov
ernment of Flanders,
through Flanders House New York. Additional funding is provided by the MoMA PS1 Annual
Exhibition Fund.
Micachu
Local Holiday, Local Sun, Locals, Local Rain, Local Number, Local Drink, Local Customs
To celebrate the final Sunday Sessions of the season, British artist Micachu performs a set entitled Local Holiday, Local Sun, Locals, Local Rain, Local Number, Local Drink, Local Customs. Pulled from her vast collection of audio odds and sods, this one off performance of new material is matched with wildly colorful projections from her sketchbook.
Micachu aka Mica Levi, the 26-year-old leader of Micachu and the Shapes, is the unassuming figure creating tunes which manage to perfectly define these sometimes scary, often overwhelming, but always exciting times. A classically trained composer and musician, Mica garnered wide critical acclaim for her soundtrack to Under the Skin, including a BAFTA nomination for best Original Music in Film. She is currently the youngest individual to be named artist in residence at London’s Southbank Center.
Image: Math Bass, Body No Body, 2013. Latex paint on canvas and wood. Courtesy the artist, Overduin & Co., Los Angeles, and Michael Jon Gallery, Miami.
Press Contact:
Allison Rodman, (718) 786-3139 or allison_rodman@moma.org
Opening sunday May 3, 2015 12-6p.m.
MoMA PS1
22- 25 Jackson Avenue at 46th Ave in Long Island City, Queens
Hours:
MoMA PS1 is open from 12:00 p.m. to 6:00 p.m., Thursday through Monday.
Admission:
$10 suggested donation; $5 for students and senior citizens; free for MoMA members and MoMA admission ticket holde