Marina Abramovic
Lucy Andrews
Sadie Benning
Louise Bourgeois
Constantin Brancusi
Brassai
Victor Brauner
Andre Breton
Luis Bunuel
Cecily Brown
Miriam Cahn
Sophie Calle
Michele Ciacciofera
Dorothy Cross
Attila Csorgo
Salvador Dali
Annabel Daou
Vlasta Delimar and Jerman
Zackary Drucker and Rhys Ernst
Marcel Duchamp
Jean Dupuy
Elmgreen and Dragset
Olafur Eliasson
Max Ernst
VALIE EXPORT
Jean Genet
Jochen Gerz
Alberto Giacometti
Nan Goldin
Felix Gonzalez Torres
Douglas Gordon
Mona Hatoum
Damien Hirst
Jim Hodges
Rebecca Horn
Jesper Just
Kapwani Kiwanga
Ange Leccia
Gherasim Luca
Vlado Martek
Andre Masson
Annette Messager
Tracey Moffatt
Seamus Nolan
Nadja
Henrik Olesen
Yoko Ono
Meret Oppenheim
Ferhat Ozgur
Christodoulos Panayiotou
Nesa Paripovic
Garrett Phelan
Pablo Picasso
Man Ray
Carolee Schneemann
Rudolf Schwarzkogler
Paul Sharits
Jeremy Shaw
Wolfgang Tillmans
Andy Warhol
Cerith Wyn Evans
Jun Yang
Akram Zaatari
Christine Macel
Rachael Thomas
From Surrealism to Now. The exhibition features almost 200 works and explores how the notion of love has evolved within the 20th century.
Curated by Christine Macel with Rachael Thomas
Love in the 20th Century, according to the poet Arthur Rimbaud, had to be reinvented. Nowadays, in a world full of crisis and conflicts, tensed between opposite ideals, and submitted to increased individualism and intense consumption, love is seriously threatened and regularly challenged. Paradoxically, love in the 21st Century has never been so linked to individual identity and happiness.
What We Call Love explores how the notion of love has evolved within the 20th century. How have seismic sociological changes concerning sexuality, marriage and intimacy, alongside developments in gender issues, affected the way we conceive love today? How does visual art, from Surrealism to the present day, deal with love and what can these artistic representations tell us about what love means in our contemporary culture?
Drawing on contemporary sociology, neuroscience and of course art, What We Call Love sheds some light on these questions. While we cannot give a final definition of “what is love” we can examine how artists have represented it. Presented in three chapters, the exhibition draws on Surrealism’s idea of love as “amour fou” (crazy love), new visions of love which emerged after the 60’s and the often problematic concerns of contemporary love.
Focusing mainly on the now, this important exhibition will present a succinct selection of carefully chosen Surrealist works, alongside key conceptual and contemporary pieces, integrating new commissions and other works in the forms of cinema and performance. Texts and interviews from three leaders in their respective fields; Georges Sebbag on Surrealism, Eva Illouz on sociology and Semir Zeki on neuroscience will contribute to this reflection.
Love is a subject of great relevance in Ireland today, as our understanding and definitions of love expand with the changing face of contemporary society. Featuring a fantastic collection of masterworks by some of the most important figures in modern art - such as Constantin Brancusi, Salvador Dalí, Marcel Duchamp, Max Ernst, Alberto Giacometti, Meret Oppenheim, Pablo Picasso; iconic works by the most significant artists of recent times – Andy Warhol, Yoko Ono, Marina Abramović, Louise Bourgeois, Nan Goldin, Damien Hirst, Rebecca Horn, Carolee Schneemann, Wolfgang Tillmans - and new commissions by artists Lucy Andrews, Séamus Nolan, Garrett Phelan and Jeremy Shaw - What We Call Love invites the audience to consider what love means to them with a series of talks, events, film screenings and debates alongside the exhibition.
Curated by Christine Macel, Chief Curator at Centre Pompidou, with Rachael Thomas, Head of Exhibitions at IMMA, What We Call Love features almost 200 works, including over 30 works on loan from major collections such as Centre Pompidou, Paris; Tate, London; Museé Picasso, Paris; Andy Warhol Museum, Pittsburgh; The Felix Gonzalez-Torres Foundation, New York; Fondation Giacometti, Paris; British Council Collection; Musee d’art modern de la Ville de Paris; Scottish National Gallery of Modern Art; Collection institute d’art Contemporain, Rhone-Alpes; Marina Abramović Archives; and from numerous private collections and leading gallerists worldwide.
Image: Ange Leccia, Volvo, arrangement, 1986, Installation view in Le Magasin, Grenoble, France, Almine Rech Gallery, Paris, Bruxelles © Ange Leccia ADAGP
Press Contact:
Patrice Molloy, patrice.molloy@imma.ie,
Opening: September 11, 6:30–9:30pm
Preview lecture: September 11, 5:30–6:30pm, Christine Macel (Chief Curator, Centre Pompidou) introduces key themes and artworks from the exhibition
Lecture: “The Neurobiology of Love”: September 13, 2–3pm, Semir Zeki (Professor of Neuroesthetics, University College London) explores the neurochemistry of love & beauty
Irish Museum of Modern Art
Royal Hospital, Military Road, Dublin