Nasseri's latest work 'Jet-Skin' show parts of the outer surface of fighter aircrafts. The abstract beauty of these 'autonomous fragments' make it difficult to imagine the actual function of these machines: their lethal power is hidden behind their clean, aesthetically pleasing and almost painterly skin.
'jet skin'
Born and brought up in Berlin as the son of a German mother and an
Iranian father, Timo Nasseri's photographic work is not so much
preoccupied with the serialisation and pure documentation of the
depicted subject, but with the process of thoughts and events that -
invisible to the viewer - form the context of the individual images.
Without direct criticism, his work deals with socio-political aspects
of our times.
By showing only a fragment of the subject he is documenting, he leaves
the viewer the necessary space to reconstruct the images according
to his personal experiences.
Timo Nasseri's latest work 'JET-SKIN' show parts of the outer surface
of fighter aircrafts. The abstract beauty of these 'autonomous fragments'
make it difficult to imagine the actual function of these machines: their
lethal power is hidden behind their clean, aesthetically pleasing and
almost painterly skin. The contrast between the seductive structure
of the surface and their brutal inner life creates a tension that makes
the viewer feel uneasy about this misleading beauty and makes him
question their real purpose.
Making a comment about modern warfare, Nasseri way of presenting
the fighter jets show similarities to the coverage of the bombardment of
Afghanistan and Iraq in recent years. In these wars the latest
weapon technologies was presented to the public on TV, stressing their
technical perfection, while at the same time depicting only fragmented,
abstract imagery of the attacks, trying to distance the audience from
the real consequences of these weapons's use.
private view_thursday_10th february_from 6.30pm to 9pm
contact: Andreas Lange +33 1 42 77 02 77
Galerie Schleicher+Lange
12, rue De Picardie 75003 Paris / France