Based on archival material, photographs, videos, texts and interviews, the artist explores specific typologies and examples of modernist architecture and urban development that are the offspring of different economic, geographic and political circumstances. Deriving from the narratives inherent to urban space, Snyder examines how visual codes attain significance worldwide.
Solo exhibition
Based on archival material, photographs, videos, texts and interviews, Sean Snyder (*1972) explores
specific typologies and examples of modernist architecture and urban development that are the offspring
of different economic, geographic and political circumstances. Deriving from the narratives inherent to
urban space, Snyder examines how visual codes attain significance worldwide. Through an associative
process, Snyder analyses how images of architecture are displaced through various parts of the world,
thereby exposing how the processes of mediated and interpretive transference can lead to unusual shifts
in architectural forms from one continent to the next.
For the exhibition in Portikus, Snyder unearths little known aspects of information in order to observe them
from new perspectives. The publication, "Skopje Resurgent", published in 1970 by the United Nations,
documenting the reconstruction effort of Skopje after an earthquake in 1963, serves as a framework for
the project. Incorporating new methods of interdisciplinary urban development and sociological experiments,
a group of experts from various fields, nationalities and ideologies collaborated on a "master plan" for the
reconstruction. The UN selected the proposal of the Japanese architect and urban planner Kenzo Tange’s
as the most viable, adapted from his 1960 Plan for Tokyo.
Snyder assembles numerous aspects from various contexts – visual and textual information; interviews
with individuals in Macedonia and Japan involved or knowledgeable with the re-building project;
architectural sketches; aerial imagery, on-site photographs, re-photographed images of the scale-model
taken out of storage from the City Museum of Skopje, and other documents – together outline an in-depth
installation that forms a matrix of various and not necessarily congruous reference points without any claim
to being an authoritative research. As an integral component of his work, these inconsistencies produce
distinct threads of information that dispose complex circumstances for further analysis. Snyder does not
present his work as a comprehensive and conclusive investigation, but instead presents the option for
speculative inquiry.
The exhibition was realised in cooperation with De Appel in Amsterdam, Neue Kunst Halle
in St. Gallen and the Secession in Vienna.
A joint catalogue, published in conjunction with the exhibition at Portikus by the generous support
of the "Alfried Krupp von Bohlen und Halbach-Stiftung" will appear in March 2005.
Press Talk: on Friday, February 11, 2005 at 11:00 am
Opening on Friday, February 11, 2005 at 8:00 pm
PORTIKUS im Leinwandhaus
Weckmarkt 17
60311 Frankfurt am Main