My heart, sparked by the crazy lady - Performance Installation featuring lots of sequins. The pieces of C. Guerrero Harmon are elegant in the mathematical proof sense of the word. No gratuitous detail, no intellectual muddling, no art-historical genuflecting. Experimental Music by Kraig Grady, Sayo Mitsuishi and Mad Cow (Dan West and Jim Goulden).
My heart, sparked by the crazy lady - Performance Installation featuring lots of sequins
Come Celebrate Our First Performance/Live Art Residency Saturday, February 12, 2005, 8:00 p.m. until it's over
Experimental Music by Kraig Grady and Sayo Mitsuishi and Mad Cow (Dan West and Jim Goulden)
You've been coming to our exhibit
openings, which feature free food and live entertainment. We've quit
counting the number of people who've remarked on the good energy at our
events. Now we're extending that atmosphere to our performance nights.
On Saturday, February 12, 2005, we're going to have our first
performance/live art residency celebration ever, featuring Christina
Guerrero Harmon, our first performance/live residency artist. It's free
(although we won't turn down any donations) and, as with our now-famous
exhibit openings, we'll have lots of amazing healthy food by master chef
John Saslow. Additional acts include Kraig Grady and Sayo Mitsuishi and
Mad Cow (Dan West and Jim Goulden).
Christina Guerrero Harmon, born in Mexico City, is one of the best
artists we know, period. Her pieces are elegant in the mathematical
proof sense of the word, which is one of the best things we can say
about anything. No gratuitous detail, no intellectual muddling, no
art-historical genuflecting---just pure artistic intuition that speaks a
truth in sync with both the past and the future. This despite the fact
that she's got a background in art theory (Universidad Carlos III de
Madrid) and classical sculpture (Taller de Escultura de Don Santiago de
Santiago, Madrid), and is a classical piano recitalist. She's also got
creative credentials, with degrees in studio art (Pomona College,
Claremont) and creative writing (UCLA). She has done numerous
installations and performances throughout the region and we believe
she's a force to be watched. We're pleased to be a part of the
beginning of her lustrous career as an artist. As for what she's going
to do at Dangerous Curve, it's going to have to be a mystery until you
get here. Suffice to say that it's going to involve lots (and lots) of
sequins!
Kraig Grady is one of Los Angeles's favorite experimental musicians. He
always gives his all and it is an all with lots of chops much to the
delight of his audiences. Oh, he's been around. He has presented at
the Norton Simon Museum of Art, the UCLA Armand Hammer Museum, the
Pacific Asia Museum, France's Chateau de la Napoule, Villa Aurora
Foundation for European American Relations, the Schindler House, Beyond
Baroque, New Langton Arts, and a bunch of prestigious colleges. He's
also given numerous live performances on KPFK, KCRW, and KXLU. His work
was part of the Los Angeles Philharmonic's American Music Weekend, and
of New Music America. He's been nominated no less than four times for
the L.A. Weekly Best Uncategorizable Artist Music Award and was chosen
by BUZZ Magazine as "one of the 100 coolest persons in Los Angeles."
Grady studied briefly with Nickolas Slonimsky, Dean Drumond, and Dorence
Stalvey, and longer with Byong-Kon Kim. Ever since meeting Erv Wilson in
1975, he has composed and performed using Wilson's alternative tunings.
In the 80's, he and Keith Barefoot began reviving the art of combining
live music and silent film, although his 1990 opera "War and Pieces"
pushed the film element to the background in favor of live performers.
After having lived intermittently for three years on Anaphoria Island,
he started being asked to act as a liaison between them and North
America. This resulted in numerous productions, including six shadow
plays.
Sayo Mitsuishi is an artist/hypnotist who draws live on long overhead
projector rolls, mesmerizing both herself and the audience as she does
so. She uses both hands simultaneously, ambidextrously achieving an
uncanny symmetry that's more about intricate body gesture rather than
representation.
Formed in 2004, Mad Cow culminates the life-long friendship and musical
interaction of L.A. based musician/artists, Dan West and Jim Goulden.
Dan West (a.k.a. Ddub) is a local composer/multi-instrumentalist versed
in both electronic and acoustic mediums. He fuses these elements within
contexts that are both purely improvised and completely controlled. Dan
not only performs in Mad Cow, but is also their engineer/programmer. He
also performs locally with the indie/psychedelic group Aguafantastica.
Jim Goulden (a.k.a. MC Tahina), the wild MC Tahina of the legendary
Southwest group The Gluey Brothers, brings cross-culture fusion to the
Mad Cow mix. A teacher and performer of African music, Jim combines
African rhythms with the surrealist wordscapes of Captain Beefheart and
Yamentaka Eye (Naked City), creating the "rap" that is the basis of the
Mad Cow Sound. The group debuted at Dangerous Curve in August, 2004, at
the Le Pinchefuntastique exhibit opening, and has since been in the
studio finishing its debut EP "Nation of Sheep" (available at the
celebration).
Dangerous Curve is committed to supporting visionary established and
emerging artists of all ages, by emphasizing one-person shows of risky,
intelligent work that is not necessarily commercially viable nor
currently popular. Dangerous Curve is a new venue for both experimental
exhibits/installations and performance/live art, with performance
residencies, and a performance art festival planned.
Dangerous Curve - 1020 East Fourth Place (500 Molino Street #102) - Los Angeles, CA 90013