What looks good today may not look good tomorrow
What looks good today may not look good tomorrow
When Michel Majerus passed away in 2002, at the age of 35, he left behind an
impressive oeuvre. He did not limit himself to two-dimensional surfaces, but created
dynamic, painted installations which surround the viewer. A series of retrospective
exhibitions featuring his large scale, three-dimensional installations, wall
paintings, a selection of his paintings from the period 1994-2002 and video
sculptures began in Kunsthaus Graz, where it was to be seen from February 12 to May
16, 2005. In variations the retrospective travels to Amsterdam, where it opens on
June 24, and subsequently to Hamburg, Hanover and Luxembourg.
Majerus, who spent his working life primarily between Berlin and Los Angeles, had
his breakthrough in the mid 1990s as one of the most striking and talented painters
of his generation. The title of the exhibition, ‘what looks good today may not look
good tomorrow’, is borrowed from one of his works, and refers to the world of
advertising, corporate design, comic strips and computer games, from which he drew
considerable inspiration.
Majerus’ oeuvre consists of an accumulation of citations, styles and visual motifs,
not just from popular culture but also from art history, particularly from Minimal
and Pop Art. He made no distinction between ‘high’ and ‘low’; for him, Super Mario
and Toy Story were just as important as Warhol, Richter, Basquiat and De Kooning. In
his eyes all visual media were equal, and should be shown in relationship with each
other.
Traditional artistic concepts such as authenticity and originality did little for
Majerus. ‘My work functions precisely around the fact that every claim to
“authentic†culture and ways of living is an illusion,’ he himself once commented
with regard to his work, which can be situated in the popular culture of the 1990s.
Stedelijk Museum CS
Post CS building, 2nd storey, Oosterdokskade 5, Amsterdam
Open: daily from 10:00 am through 6:00 p.m.