Museum Boijmans Van Beuningen
Rotterdam
Museumpark 18-20
010 4419400 FAX 010 4360500
WEB
Olafur Eliasson
dal 7/10/2005 al 8/1/2006
010 4419400 FAX 010 4360500
WEB
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Olafur Eliasson



 
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7/10/2005

Olafur Eliasson

Museum Boijmans Van Beuningen, Rotterdam

Notion Motion


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Notion Motion

'physical engagement is a thought process too, as the process of thought is a physical relation' - Olafur Eliasson

After his highly-praised large yellow ’sun’ at the Tate Modern in 2003, Olafur Eliasson has developed a special project for the three largest galleries of the Museum Boijmans Van Beuningen in Rotterdam. The presentation can be seen from 8 October 2005 until 8 January 2006.

During the past ten years Olafur Eliasson (1967), who grew up in Copenhagen, has built up an oeuvre consisting of rainbows, sunsets, waterfalls, scent walls, mist, shafts of light and periscopes. His work navigates between natural phenomena and technology. Eliasson’s work makes the spectator aware of his perception; it makes, as it were, the perception tangible. Eliasson’s installations also refer to age-old themes in art history, such as the sublime, beauty and the visionary. Olafur Eliasson is one of the most successful artists of his generation, with countless solo exhibitions in prominent museums all over the world. Moreover, Eliasson has contributed strongly to the concept of ‘perception’ becoming one of the guiding tendencies in the visual arts of the past five years. He lives and works in Berlin and Copenhagen.

Light and water
For Museum Boijmans Van Beuningen, Eliasson has developed one big installation focusing on the visualization of light-waves, visualized by means of a varying interaction of light and water. This process is presented on a monumental scale in the galleries of Museum Boijmans Van Beuningen. Eliasson’s work plays with the idea that a conscious perception carries within it the potential for change. Many of his installations are based on the question: ‘Where in society can we still use our senses to define our surroundings, rather than just being defined by our surroundings by means of the commodification of our bodies?’ The fact that a direct relationship emerges, in Eliasson’s work, between the individual/the visitor and his surroundings, makes the individual aware of the possibilities to change these surroundings himself. The surroundings do not play a central part, the individual does.

With kind support of:
Mondriaan Stichting, Stimuleringsfonds beeldende kunst, vormgeving en museale activiteiten.

Museum Boijmans Van Beuningen
Museumpark 18- 20 3015 CX Rotterdam the Netherlands
Opening hours:
Tuesdays to Saturdays, 10.00 to 17.00 hrs
Sundays and public holidays, 11.00 to 17.00 hrs
Closed on Mondays, January 1st, April 30th and December 25th

IN ARCHIVIO [71]
Martin Assig / Pam Emmerik / Diet Wiegman
dal 29/10/2015 al 27/2/2016

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