The Austrian photographer has taken up the theme of the 7 deadly sins in order to present his interpretation of this age-old canon of sins in a contemporary context. He thereby makes reference to one of the most familiar art-historical representations of this theme by Hieronymus Bosch.
Is It Still Possible To Sin Today?
Galerie Caprice Horn is presenting current works by the Austrian photographer Lukas
Maximilian Huller / Solo Exhibition from September 30 to November 16, 2006
Pride, avarice, lust, envy, gluttony, wrath and sloth: What is the contemporary
situation with regard to the seven deadly sins? In our present era, do they continue
to be a matter of the essence of all evil, which threatens to lead human existence
into ruin? Originally, to commit even one of these cardinal sins meant to lose
divine grace. In the medieval conception, the conscious and deliberate commission of
a deadly sin led to an irrevocable disruption of the individual's relationship to
God. Secular society, on the other hand, in which God has become a private matter,
seems to be engaged in an endless search for ethical standards. To define these
values is the responsibility in equal measure of the individual and of social
discourse. Are the seven deadly sins perhaps more relevant than ever, or are they
only capable of being ironically broken on the level of parody?
The Austrian artist Lukas Maximilian Huller has taken up the theme of the seven
deadly sins in order to present his interpretation of this age-old canon of sins in
a contemporary context. He thereby makes reference to one of the most familiar
art-historical representations of this theme, namely The Seven Deadly Sins and the
Four Last Things by Hieronymus Bosch. Whereas the individual scenes of Bosch's cycle
of sins are arranged in a circle, Huller utilizes his special panoramic photography
in order to unroll the theme in a linear manner - just as was customary in medieval
series of pictures. Each deadly sin is portrayed in a provocative manner and with
much careful attention to detail. The panorama technique of the artist allows the
viewer's gaze to wander.
The approximately 400 degree-photographs have not been manipulated through image
editing; each print comes from one single negative. Through the use of special
cameras which to some extent he has built himself, Huller is able to bring various
scenes into relation with each other and to capture them in one individual picture.
Thus his photographs narrate stories which are offered to the onlooker in a
comprehensive perspective. The viewer is positively drawn into the happenings and
becomes fascinated by the wealth of details so rich in symbolism. Together with the
scenarist Etienne Tombeux, Huller creates scenarios that almost possess the quality
of film; he himself speaks of his art as a hybrid form of both photography and
cinematography. Through the inclusion of well-known actors and portrayers of
character roles such as Erwin Leder (Das Boot), Wilibald Mayerhofer (Volkstheater
Wien), Paulus Manker (Burgtheater Wien), Jurgen Maurer (Burgtheater Wien), Martina
Stilp (Schauspielhaus Graz) as well as THE TIGER LILIES (London), this impression is
further enhanced.
Galerie Caprice Horn
Rykestr. 2 - Berlin
Opening hours: Tues-Fri 1-5 pm, Sat 11 am - 7 pm