Archive. In Galiaeva's photographs she doesn't take a position of the observer or commentator, but she is connected to the setting that takes place in front of the camera. She is inextricably bound with the object she's photographing.
Archive
"Galiaeva follows in Wolfgang Tillmans and Nan Goldins footsteps by using a mixture
of documentary and personal photography. Her subjects may be less spectacular- one
doesn't find frantic transvestites, drug addicts or other eccentrics, but merely
lovely old crones and casually dressed family members- still her pictures are just
as direct and intimate" (Sandra Smallenburg, NRC, Feb 2004)
Ksenia Galiaeva (Pskov, Rusia,1976) took up photograpy after her arrival in the
Netherlands in 1995. Missing her homeland was one of her motives. Again and again
the artist takes us to her native town Pskov, south of St. Petersburg. In her
photographs she doesn't take a position of the observer or commentator, but she is
connected to the setting that takes place in front of the camera. She is
inextricably bound with the object she's photographing.
If she, for example, photographs her friends on a late-summer afternoon, she's just
as lazy as her friends. The significance of her state of mind is apparently decisive
in her work.
The recent work that is shown in the exhibition reveals Galiaeva's more
cinematographic approach of photographing. It becomes clear that not only the
personal story is of importance, but the narrative as well. The work shows more then
just the moment when the picture was taken.
In the exhibition "Archives" several photo collections are displayed. Galiaeva
brings her story alive with photos and slides. One can leaf through the documents in
archive boxes for personal encounters. Her work gives the feeling of time passing
slower there, then we are used to here. The moments of the past and present are more
intense, sometimes even seaming to stand still.
Opening: Sat 21 okt 17-19 h
Ellen de Bruijne Projects
Rozengracht 207 A - Amsterdam