Pierre-Auguste Renoir
Robert Mapplethorp
Claude Michel Clodion
Ludwig Knaus
Hans Bellmer
Francis Bacon
Louise Bourgeois
Throughout the entire
history of art, the nude
figure has been a primary
carrier of both ideal form
and human expression.
As a subject for art, the nude
is essentially Western,
emerging in Greece
before the 5th century. For
the Greeks, the nude,
apart from its celebration
of physical beauty, expressed the nobility and
potential of the human spirit. However in later
Christian theology nakedness became a symbol
of shame and guilt, the outward sign of sins of
the flesh. The art of the Renaissance, by
contrast, reverted to classical ideals and
precedents the nude as a measure of man
and God's creation while the Baroque period
sought a more naturalistic and sensual
representation of the nude. From the Rococo
period through modern times, the nude has
remained constant as a subject of art but with a
variety of interpretations.
He exhibition Nothing But Nudes: Selections
from the Permanent Collection reveals not only
the many roles of the nude in art but also the
depth of the museum's holdings. Including works
from all media painting and sculpture, works on
paper, photographs and decorative arts, and
drawn from the entire range of the museum's
collections from 6th century B.C. Greek vases to
Old Master paintings to the most recent of
contemporary art the exhibition reflects the
changing meaning of the nude through the
centuries.
The exhibition groups work across media and
time periods, according to certain categories of
intention or effect. Among the groupings are The
Nude as Ideal Form, with examples ranging
from a Greek kylix and a voluptuous
Pierre-Auguste Renoir to one of Robert
Mapplethorp's male nudes. The Nude and
Sexuality will include Claude Michel Clodion's
18th-century Bacchic sculpture, Ludwig Knaus'
19th-century academic nude and photographs
by Hans Bellmer and Brassaï. The Nude and
Human Expression will extend from master
prints to works by the German Expressionists to
prints by Francis Bacon and Louise Bourgeois.
Among the other categories are The Nude in
Nature, The Nude in Art, The Nude and Reality
and The Nude Abstracted. Groupings of the
nude as exotic, model and portrait round out the
exhibition. Many surprising juxtapositions and
new relationships among works in the collection
emerge, describing a remarkably full range of
what the nude has meant as both subject and
form through history.
Other artists in the exhibition of almost 100
works include Albrecht Dürer, Adriaen van der
Werff, Edward Manet, Auguste Rodin, Henri
Matisse, Gaston Lachaise, Edward Weston,
Willem de Kooning, Harry Callahan, Eric Fischl
and Kiki Smith just a few of the names that
reflect the exceptionally wide range and
unexpected relationships offered by this
exhibiztion. Nothing But Nudes is a celebration
of the human body, its multi-dimensional
meaning in art, and the power of the museum's
permanent collection to tell the story
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