Piece by Piece illustrates the practice of MVRDV through the inclusion of maquettes, photographs, drawings, materials and videos and demonstrates the multi-dimensional, research-based nature of their approach to architecture and design. The starting point for the installation ''Anatomy'' by Ana Torfs originates in text: the record of the proceedings of the trial of the murders of Karl Liebknecht and Rosa Luxemburg.
MVRDV / Ana Torfs
Argos is proud to present the first Belgian exhibition of the internationally
acclaimed Rotterdam-based architects MVRDV. The exhibition follows the refurbishment
of Argos’ new exhibition space by MVRDV and aims to introduce the work of the group
in a broader framework. MVRDV was set up in 1991 by Winy Maas, Jacob van Rijs and
Nathalie de Vries. Over the years MVRDV have become internationally known for their
designs and studies in the fields of architecture, urbanism, landscape design, and
particularly for their exploration of density, urban data, open space and the
environmental impact of building and architecture.
The architecture of MVRDV doesn't merely limit itself to issues about building, but
is also concerned with the conceptual investigation and analysis of each assignment.
In that sense MVRDV have also become known for their innovative spatial paradigms,
socially engaged approach to architecture, and - in particular - for their radical
methodical research on density and public realms. Parts of MVRDV’s architectural
production over the last ten years can be positioned within this ambition of
enlarging densities. Through investigation and use of the complex amounts of data
that accompany contemporary design processes, MVRDV finally shape their spaces. The
‘products’ of this approach can vary completely; they range from buildings of all
types and sizes, to urban designs, publications and installations, video works as
well as the development of software programs.
The exhibition at Argos, entitled ‘Piece by Piece’, will illustrate the
multifaceted practice of MVRDV through the inclusion of maquettes, photographs,
drawings, materials and videos and will demonstrate the multi-dimensional,
research-based nature of their approach to architecture and design.
Since the group was founded in 1991 MVRDV have built, taught, published and
exhibited all over the world. MVRDV have also won numerous prizes for their work
including the Marcus Coporation Prize (USA, 2005), the Mies van der Rohe Award of
the European Union Prize for Contemporary Architecture (2001) and the Fritz
Schumacher Prize (Germany, 2000).
See also: http://www.mvrdv.nl
Ana Torfs developed the installation ‘Anatomy’ during her residency at DAAD, Berlin
(2005/06). As with many of Torfs’ other works the starting point for this project
originates in text: the record of the proceedings of the trial of the murders of
Karl Liebknecht and Rosa Luxemburg — founders of the German communist party — held
in May 1919 in Berlin. Ana Torfs selected testimonies from this trial to compose “A
Tragedy in Two Acts," the literary script for her project. Twenty-five young German
actors were chosen to re-enact these testimonies while filmed on video. Through
twenty-five versions of the “truth" a fragmented, variable and constantly shifting
idea of the last hours of the lives of Liebknecht and Luxemburg emerges. Another
seven “models" posed for the artist for black-and-white slide photographs in the
demonstration room of the Anatomical Theatre in Berlin, a building which is ideally
suited to Torfs’ ‘anatomy’: the scene of so many dissections and analyses, it refle
cts various aspects of her own artistic process as she scrutinises the historical
texts. The result is an installation that interlinks large-screen slide projections
with video images on two monitors. The actors on video recite the testimonies in
German. Over wireless headphones the visitor can hear an English version spoken by
an interpreter; there is no clear divide between naked fact and its interpretation,
between fact and fiction. Any story is almost invariably coloured by language.
Over the years, Ana Torfs (born 1963, Belgium) has gained international recognition
for her work and has participated in numerous exhibitions worldwide such as the Lyon
and Montreal Biennials (1995, 2000). Solo exhibitions have also been held at the
Palais des Beaux-Arts (Brussels, 2000), Roomade (Brussels, 2004), GAK: Gesellschaft
fur Aktuelle Kunst (Bremen, 2006), DAAD Galerie (Berlin, 2006). In 2004 Torfs
created the web project ‘Approximations/Contradictions’ for the Dia Art Foundation
(New York). In the course of 2007 the artist’s work will be presented in group shows
in TENT (Rotterdam), Wurtembergischen Kunstverein (Stuttgart) and the Hamburger
Bahnhof (Berlin).
Image: Ana Torfs
Opening 3 February h.18
Argos - Centre for Art and Media
Werfstraat 13 Rue du Chantier - Brussels
Exhibition opening times: Tuesday - Saturday 12 - 19