The Day After Yesterday. In this exhibition Ondak shows three new works, which register performative moments he instigated in order to negotiate another kind of a future through "non-events", subtle detours from the everyday.
The Day After Yesterday
BAK, basis voor actuele kunst presents the solo exhibition The Day After Yesterday
by Slovak-born artist Roman Ondak. In this exhibition Ondak shows
three new works, which register performative moments he instigated in order to
negotiate another kind of a future through "non-events" -subtle detours from the
everyday.
The Day After Yesterday, 2005, is a diptych that consists of newspaper cut-out and a
photograph. The photograph shows a re-enactment of a “scene” coincidentally
photographed for the newspaper, in which Ondak’s family walks through a
dilapidated neighborhood under rapid renovation. In order to seek ways in which
“reality” could be perfected, Ondak invites his family to re-stage this
situation, although this time they are walking in the opposite direction, toward the
viewer. The video The Stray Man, 2006, documents a man walking past a building. The
ordinariness of the situation notwithstanding, the man cannot resist the attraction
of the building’s street level windows. Despite his attempts to continue along the
street, the potential promise of other possibilities prompts him to return daily to
engage in this ritual of searching for the unknown time and time again. Lucky Day,
2006, is a 16 mm film installation in which Ondak explores the contemporary
possibilities of “pilgrimage” in a secular context. The film follows a man who tosses a
large amount of coins into a fountain, in a somewhat grandiose gesture of “applying”
for luck. As such, the work puts individual agency to the test against
institutionalized systems of belief. In all three works, the adventure of discovery,
and of gaining knowledge into how things are, function as a starting point for
engaging the viewer in a dialogue about what might happen if one takes another
route, both literally and metaphorically. It is from here, Ondak suggests,
that a new space of imagination can emerge.
BAK is proud to have had the opportunity to produce the film installation Lucky Day.
A new catalog on the work of Roman Ondak, including essays by Jessica Morgan,
curator, Tate Modern, London, Jan Verwoert, curator and critic, Berlin, and Maria
Hlavajova, artistic director, BAK, is published by BAK in collaboration with Galerie
im Taxispalais, Innsbruck in late spring of this year.
Roman Ondak (born 1966 in Zilina, lives and works in Bratislava) recently
presented his work in Galerie im Taxispalais, Innsbruck (2007), Tate Modern, London
(2006), Sao Paulo Biennial, Sao Paulo (2006), Kunsthaus Graz, Graz
(2006) and Frankfurter Kunstverein, Frankfurt and Stedelijk Museum, Amsterdam
(2005).
Lecture:
Thursday 19 April 2007 at 20
Jessica Morgan, curator of Tate Modern, London gives a lecture on the work of Roman
Ondak.
Image: Roman Ondák, Lucky Day, 2006, photograph from the film set
Opening: 10 March 2007 at 20
BAK basis voor actuele kunst
Launge Nieuwstrasse 4 - Utrecht
Opening hours: Wednesday-Saturday 12–17; Sunday 13-17