A unique piece with her series of paintings. On 1,325 sheets she documented her life and that of her family. It is a fictionalized autobiography featuring more than twenty characters with invented names.
Life? Or Theater?
March 16 – June 3, 2007
Opening: Thursday, March 15, 2007, 7 p.m.
Conference: Friday, March 16, 2007, 2 – 6 p.m.
Charlotte Salomon (1917-1943) has created a unique piece with her series of
paintings titled Life? Or Theater?. On 1,325 sheets she documented her life and that
of her family. Salomon called it a “Singespiel” or lyrical drama, a dramaturgical
combination of painting and text intended to be set to music. Charlotte Salomon.
Life? Or Theater?, the travelling exhibition put together by the Joods Historisch
Museum in Amsterdam and to be shown at the Galerie im Taxispalais, comprises a
selection of some 280 gouaches with accompanying text panels.
Charlotte Salomon created her oevre within a period of two years, between 1940 and
1942, in exile in Villefranche-sur-Mer, France. She, a Jewess, had fled from Berlin,
following her grand-parents to this town. In 1943, shortly after she had married
Alexander Nagler, an Austrian Jewish refugee, she was betrayed and arrested by the
Germans. That same year she was killed in Auschwitz, and soon after her husband
succumbed to the same fate.
Her oeuvre was hidden in France. Albert and Paula Salomon, her father and her
stepmother, had survived the Shoah in the Netherlands and travelled to France in
1947. Ottilie Moore, the American, who had provided Charlotte and her grandparents
refuge, handed them the works. In 1971 Paula and Albert Salomon donated the entire
oeuvre to the Amsterdam Joods Historisch Museum.
Charlotte Salomon lets her story begin before her birth and tells about her life in
Berlin where she grew up in a well-to-do family with strong interest in the arts.
She describes her mother who committed suicide while she was still a child, and her
father, a professor for medicine who later married the well-known singer Paula
Lindberg. From 1935 to 1937 Charlotte Salomon studied art. She tells about the young
girl’s passions, which were overshadowed by the tragic events in her family. She
also gives an account of the political events that influenced here life: The Nazi
seizure of power in 1933, the increasing anti-Semitic repression – her father was
detained for some time at the Sachsenhausen concentration camp – and finally her
flight to her grandparents in Southern France.
Salomon gave Life? Or Theater? the subtitle “Tricolor Singespiel”, because it
contains both spoken dialogues as well as music and because the color mixes and
shades are painted in only three colors – red, blue and yellow. Life? Or Theater?
consists of a prelude, a main part and an afterword. In her narrative, Salomon makes
use of filmic means such as flashback and montage, seriality, change of perspective
and close up. Similar to a comic, she adds texts to the scenes either as text panels
placed below the image or she integrates text in the image.
Life? Or Theater? is a fictionalized autobiography featuring more than twenty
characters with invented names. “They are protagonists of a dramatized life in which
reality and invention are deliberately merged. Charlotte Salomon has withdrawn to
the role of the ‘author’. An author who functions as a narrator, sometimes with
detached descriptions, and often with ironic comments.” (Astrid Schmetterling)
The selection of musical pieces can also be structurally compared with film. Salomon
alternates between serious music such as songs and opera arias and popular music
such as traditional songs and hits that accompany or complement a given scene.
Conference
Friday, March 16, 2007, 2 – 6 p.m.
Moderator
Prof. Dr. Daniela Hammer-Tugendhat, Art historian, University of Applied Arts Vienna
Speakers
Prof. Dr. Ernst van Alphen, Literary scholar, University of Leiden
Pre- and Post-Holocaust Perspectives on Charlotte Salomon’s Life? Or Theater? (English)
Dr. Annegret Friedrich, Art historian, University of Giessen
Cinema, Comic, Caricature: On the modernity of Charlotte Salomon (German)
Hannes Sulzenbacher, Curator, Jewish Museum Hohenems
Perspectives of Jewish Museums in the Present. On the Perception and Narration of
Jewish History (German)
Drs. Edward van Voolen, curator, Joods Historisch Museum, Amsterdam
Departure for Exile: Charlotte Salomon. Introductory Remarks (German)
Opening hours
Tues – Sun 11 am to 6 pm, Thurs 11 am to 8 pm
In collaboration with the Joods Historisch Museum, Amsterdam. Curator: Edward van
Voolen
Acknowledgements
Brigitte Reinhardt, Ulmer Museum, Ulm
Federal Foreign Office, Germany
Royal Netherlands Embassy, Vienna
Galerie im Taxispalais
Maria-Theresien Strasse 45 Innsbruk
Opening hours Gallery and Reference library:
Tues – Sun, 11 a.m. – 6 p.m.,Thurs 11 a.m. – 8 p.m.
Admission: € 3.- / € 1,50, Sunday free