Robert Barry
Valie Export
Andrea Fraser
Dan Graham
Klub Zwei
Edward Krasi_ski
David Lamelas
Dorit Margreiter
Gustav Metzger
Walter Pichler
Mathias Poledna
Florian Pumhosl
Allan Sekula
Heimo Zobernig
The works selected for the present show offer an insight into this privately financed collection of art, which has acquired an outstanding international reputation due to its clear profile and sustained focus on specific art issues. The Generali Foundation stands for discourse-oriented, critical, and conceptual art from the 1960s to today. Works by Robert Barry, Valie Export, Andrea Fraser, Dan Graham, Klub Zwei, David Lamelas, Dorit Margreiter, Mathias Poledna, Allan Sekula and many others. Curated by Sabine Breitwieser.
Group show
curated by Sabine Breitwieser
Works by Robert Barry, Valie Export, Andrea Fraser, Dan Graham, Klub Zwei, Edward
Krasi_ski, David Lamelas, Dorit Margreiter, Gustav Metzger, Walter Pichler, Mathias
Poledna, Florian Pumhosl, Allan Sekula, Heimo Zobernig, and many other artists
in the video program.
The Generali Foundation stands for discourse-oriented, critical, and conceptual art
from the 1960s to today. After four comprehensive and highly successful
presentations abroad, the Generali Foundation is devoting an exhibition to its
international collection of contemporary art at its Vienna home for the first time
since 2003.
“Some of it is familiar,” “Some of it is unknown,” and “There is always more of it
being revealed”—these quotes from Robert Barry’s slide projection It can change …
(1970/71) serve as a motto of sorts for this exhibition from the collection. In
addition to a number of well-known key works such as VALIE EXPORT’s TAP and TOUCH
CINEMA (1968), primarily new acquisitions will be on view—some of them shown in
Vienna for the first time.
Florian Pumhösl’s film installation Programm (Program), for example, made in
2006 for the Bienal de Sao Paulo, in which the artist engages with the Modernista
movement in Brazil. Heimo Zobernig’s contribution, produced especially for the
collection, has also never before been shown in Austria; in its functionality,
expanding the traditional concept of sculpture, it is comparable to Dan Graham’s New
Design for Showing Videos (1995). On the other hand, the reconstruction of Walter
Pichler’s Pneumatic Space (Prototype 5), which was destroyed in 1966, permits the
viewer to encounter an example of 1960s utopian architecture.
In addition, this exhibition from the collection shows sequential and
cinematographic works by Dorit Margreiter, Allan Sekula, and Mathias Poledna; and
pieces that foreground performative aspects, such as a group of works by Edward
Krasinski. Works with explicitly socio-critical content, such as those by Andrea
Fraser, Gustav Metzger and Klub Zwei complement the show.
Many positions among the more than 2000 works held by the Generali Foundation could
be presented. The works selected for the present show offer an insight into this
privately financed collection of art, which has acquired an outstanding
international reputation due to its clear profile and sustained focus on specific
art issues. The Generali Foundation, in contrast to many public institutions,
consistently explores its focused program rather than attempting to cover the entire
spectrum of contemporary tendencies.
Connections and correlations on different
levels emerge between individual works and between various artistic practices. In
this show, for instance, aspects of temporality or of the criticalness of individual
works and groups of works as well as different aspects of performativity can be
emphasized. Or the works presented can be interrogated with respect to their
media-specific analyses of their artistic means. Manifold interconnections between
the individual positio
ns are proposed for the viewer to trace. In Barry’s words, “It has variety.”
Generali Foundation
Wiedner Hauptstrasse 15 - Wien
Opening hours: Tuesday to Sunday 11 a.m. to 6 p.m., Thursday to 8 p.m.