Chi Peng
Miao Xiaochun
Wang Chuan
Bai Yiluo
Liu Dahong
Zhang Xiaogang
Wang Jinsong
Wu Yiming
Li Songsong
Yang Zhenzhong
Yang Fudong
Jiang Jiehong
From Cultural Revolution to contemporary art. The exhibition explores the theme of collective identity in contemporary Chinese art. The roots of this motif lie in the mass assemblies that have become a familiar phenomenon of political movements since the advent of the Cultural Revolution. It includes monumental photographic works, paintings, installations as well as film and video. Curated by Jiang Jiehong.
From Cultural Revolution to contemporary art
curated by Jiang Jiehong
This exhibition, curated by UK-based Chinese curator Jiang Jiehong, explores
the theme of collective identity in contemporary Chinese art. The roots of
this motif lie in the mass assemblies that have become a familiar phenomenon
of political movements since the advent of the People's Republic in 1949, in
particular the Cultural Revolution (1966-1976). The collective hysteria of
the Mao era; the hypnotic allure of conformity; the conflicts between family
and society, private and public, and individual and collective, are all
themes that can be traced to this time, and which have become some of the
most persistent ones favoured by Chinese contemporary artists today. Jiang
argues that the Cultural Revolution has been both a burden from which
Chinese contemporary artists cannot escape and also a legacy, which defines
them in an increasingly global art world.
This exhibition includes monumental photographic works by Chi Peng, Miao
Xiaochun, Wang Chuan, and Bai Yiluo; paintings and installations by Liu
Dahong, Zhang Xiaogang, Wang Jinsong, Wu Yiming and Li Songsong, as well as
film and video by Yang Zhenzhong, and Yang Fudong, whose epic 5-part work
'Seven Intellectuals in a Bamboo Forest' is featured at this year's Venice
Biennale.
It has been forty years since the rupturous events of the Cultural
Revolution, in which Mao Zedong sought to re-new culture by mounting a mass
campaign targeting the 'Four Olds': old ideas, old culture, old customs and
old habits of the social elite. Artists, intellectuals and their
institutions were almost universally persecuted but ironically art was to
perform an important function as propaganda, and particularly in the
deification of Mao at collective as well as individual level.
The Cultural Revolution as both a burden and a legacy to Chinese
contemporary artists is the subject of Jiang's book, Burden or Legacy: From
Cultural Revolution to Contemporary Art published by the Hong Kong
University Press, which will be launched at the exhibition preview. Dr
Jiang has been based in the UK since 1998 and has recently been appointed
Director of the Centre for Chinese Visual Arts at UCE Birmingham Institute
of Art and Design.
The exhibition preview and book launch will take place at the Museum on
Thursday 12th July from 6:00 to 7:30 pm. The exhibition's curator, and
author of Burden or Legacy, Jiang Jiehong, and some of the artists featured
in the exhibition will be present. The Hong Kong University Press will also
be offering Burden or Legacy at a specially discounted price at the book
launch. Members of the press are warmly invited to attend.
On Saturday 14th July from 10:30 am to 12:00 pm, the curator and artists
will discuss the impact of the Cultural Revolution on Chinese contemporary
art at the Museum. This event will be conducted in putonghua, and is free
and open to public. No registration required.
Opening july 14, 2007
University Museum and Art Gallery - UMAG
94 Bonham Road, Pokfulam (University of Hong Kong) - Hong Kong