Adel Abdessemed
Victor Alimpiev
Marian Zhunin
Darren Almond
Thomas Bayrle
Cai Guo Qiang
Mircea Cantor
Maurizio Cattelan
George Condo
Abraham Cruzvillegas
Colin Darke
Berlinde De Bruyckere
Fischli & Weiss
Katharina Fritsch
Felix Gonzalez-Torres
Subodh Gupta
Huang Yong Ping
Christian Jankowski
Koo Jeong-A
Sarah Lucas
Dan Perjovschi
Susan Philipsz
Richard Prince
Anri Sala
Nedko Solakov
Thomas Struth
Piotr Uklanski
Yan Pei Ming
Artur Zmijewski
Francesco Bonami
Sarah Cosulich Canarutto
Spiritualita' e Confusione di Massa. L'esposizione propone il concetto di sacro attraverso le interpretazioni di 30 artisti contemporanei internazionali. Le opere in mostra sottolineano domande esistenziali, giocano con la percezione della realta' e in alcuni casi affrontano i meccanismi del credo; magari rivelando il potere evocativo di un'immagine o rapportando la mitologia del bene di consumo a quello dell'iconografia sacra. A cura di Francesco Bonami e Sarah Cosulich Canarutto.
---english below
a cura di Francesco Bonami e Sarah Cosulich Canarutto
Gli artisti in mostra:
Adel Abdessemed, Victor Alimpiev e Marian Zhunin, Darren Almond, Thomas Bayrle, Cai Guo Qiang, Mircea Cantor, Maurizio Cattelan, George Condo, Abraham Cruzvillegas, Colin Darke Berlinde De Bruyckere, Fischli/Weiss, Katharina Fritsch, Felix Gonzalez-Torres, Subodh Gupta, Huang Yong Ping, Christian Jankowski, Koo Jeong-A, Sarah Lucas, Dan Perjovschi, Susan Philipsz, Richard Prince, Anri Sala, Nedko Solakov, Thomas Struth, Piotr Uklanski, Yan Pei Ming, Artur Zmijewski.
Il 19 Aprile 2008 inaugura GOD & GOODS. Spiritualità e Confusione di Massa, la nuova grande mostra che apre la stagione estiva del Centro d’Arte Contemporanea di Villa Manin. Curata da Francesco Bonami e Sarah Cosulich Canarutto, l’esposizione vuole presentare la spiritualità e il concetto del sacro attraverso le interpretazioni di trenta artisti contemporanei.
Le opere in mostra sottolineano domande esistenziali, giocano con i sensi e la percezione della realtà e affrontano in alcuni casi i meccanismi del credo. L’arte guarda alla religione da una prospettiva esterna: può rivelare il potere evocativo di un’immagine così come rapportare la mitologia del bene di consumo a quello dell’iconografia sacra.
In passato arte e religione sono state indissolubilmente legate, considerando che solo alcuni secoli fa gli artisti hanno iniziato ad affrancarsi dai desideri e dalle necessità dei committenti. Ma qual è oggi il rapporto tra arte e religione? Forse è corretto dire che l’arte e la religione sono complementari: una si pone delle domande mentre l’altra fornisce delle risposte. Ciò che le avvicina non è la loro consequenzialità ma, al contrario, la loro comune fonte di dubbio: oggi soggetto dell’arte e da sempre all’origine della religione. Questa mostra vuole infatti osservare come, attraverso il dubbio, gli artisti abbiano sfidato gli stereotipi e le limitazioni del concetto di Dio per sostituirlo con tanti altri e infiniti punti interrogativi. God & Goods parte dal principio che Dio può essere le cose, può essere Ciò che determina le cose, può essere un Sistema, può essere una Forza, una Ricerca, una Conseguenza, un’Idea in costante e inarrestabile oscillazione.
Le opere degli artisti in mostra, realizzate dalla fine degli anni Ottanta sino ai giorni nostri, sino ad includere alcuni progetti speciali realizzati appositamente per l’occasione, affrontano l’idea della religione da una serie di punti di vista trasversali: possono confrontarne con irriverenza i dettami, possono analizzarne sistemi e dinamiche o possono proporre, ironicamente o meno, modelli alternativi.
La mostra GOD & GOODS non si focalizza semplicemente sulla religione, ma presenta un gruppo di opere d’arte che, lungi dal proporre conclusioni, pongono l’individuo di fronte ad ogni tipo di domanda. Come la religione, l’arte è spinta da un’urgenza e una necessità e questa mostra vuole leggere la necessità attraverso le sue inafferrabili fonti e indefinibili conseguenze.
La mostra, aperta al pubblico fino al 28 settembre 2008, sarà accompagnata da un catalogo in italiano ed in inglese, con testi dei curatori, apparati biografici ed immagini delle opere in mostra.
Per maggiori informazioni contattate
t +39 0432 821211, f + 39 0432 821229 press@villamanincontemporanea.it
Ufficio stampa:
Ilaria Gianoli e-mail ilariagianoli@tin.it - tel 333 6317344
Opening Sabato 19 aprile, ore 18
Villa Manin Centro d'Arte Contemporanea
piazza Manin 10, Passariano - Codroipo (UDINE) Italy
Orari
martedì - domenica 9–18
chiuso il lunedì
---english
God & Goods
Spirituality and Mass Confusion
Curated by Francesco Bonami and Sarah Cosulich Canarutto
List of artist:
Adel Abdessemed, Victor Alimpiev and Marian Zhunin, Darren Almond, Thomas Bayrle, Cai Guo Qiang, Mircea Cantor, Maurizio Cattelan, George Condo, Abraham Cruzvillegas, Colin Darke, Berlinde De Bruyckere, Fischli/Weiss, Katharina Fritsch, Felix Gonzalez-Torres, Subodh Gupta, Huang Yong Ping, Christian Jankowski, Koo Jeong-A, Sarah Lucas, Dan Perjovschi, Susan Philipsz, Richard Prince, Anri Sala, Nedko Solakov, Thomas Struth, Piotr Uklanski, Yan Pei Ming and Arthur Zmijewski.
On the 19th of April GOD & GOODS. Spirituality and Mass Confusion, a new large scale group exhibition, will inaugurate the summer season at the Villa Manin Centre for Contemporary Art. Curated by Francesco Bonami and Sarah Cosulich Canarutto, the show aims to present the idea of the sacred and the spiritual through the interpretation of 28 artists.
The works of artists underline existential questions, play with the senses and perception of reality and challenge in some cases the mechanisms of beliefs. Art looks at religion from an outside perspective: it can expose the evocative power of an image as well as relate the mythology of consumer goods to holy iconography.
In the past art and religion have been indissolubly linked, considering that only a few centuries ago the artists really freed themselves from the wishes and the necessities of the commissioners. But what is the relationship between art and religion today? Maybe it would be correct to say that they are complementary: one asks questions, the other gives answers. What brings them closer it is not their consequentiality but, on the contrary, their common source of doubt: today subject of art and always at the origin of religion. This exhibition wishes to observe the way in which, through doubt, the artists challenge the stereotypes and the limitations of the concept of God to substitute it with many different and infinite question marks. God and Goods aims to open a dialogue with the topic of religion being it an immense, controversial and unresolved debate but also a concept open to new and various forms of interpretation. This show originates from the principle that God can be Goods, can be What determines things, can be a System, a Force, a Research, a Consequence, an Idea in constant and unstoppable oscillation. The works of the artists in the exhibition, dated from the late Eighties until nowadays and including also some site specific projects realized for the show, deal with the concept of religion from a series of indirect point of views: they can confront its dictates with irreverence, analyse its systems and dynamics or propose, ironically or not, alternative models.
Among the works presented inside Villa Manin, in Christ you know it ain’t easy Sarah Lucas weaves hundreds of cigarettes to create the figure of a Christ on the crucifix, an irreverent approach to classic religious iconography which questions the meaning of vice and addiction in today’s consumerist society. Also Thomas Bayrle revisits with profane pathos the same Christian symbol, through a collage of small sequences depicting cars running along a motorway in search of an unreachable destination, while Questions (Italian Language) by Fischli & Weiss raises existential and metaphysical questions as well as vain everyday doubts, reflecting the dimension of uncertainty and fragility of the human condition.
The spiritual tension assumes instead social and political connotations in the video Them by Arthur Zmijewski, where the freedom of expression clashes with the difficult cohabitation of different religious and moral ideals. If Colin Darke proposes a model of alternative belief that connects the artist and its creation as well as political ideology and alienation, Richard Prince is inspired by the legendary tradition of the American cowboy from a famous cigarette advertisement. By taking this iconography out of its commercial context, the artist moulds a new mythology which provides another model of freedom and aspiration. In a different way, Darren Almond creates sublime and transcendent images of nature that call attention to man’s quest to find meaning in the complexity of the universe. A more private and melancholic narrative is that conveyed by the beggar sleeping inside Milan Cathedral in Anri Sala’s video. Here the church, before acquiring any spiritual function, appears as a physical and concrete refuge. The same place of worship is the subject of Thomas Struth’s photography, that analyzes the structure and the mechanisms of belief through an objective vision.
Four interventions are planned in the Park surrounding the Villa by Maurizio Cattelan, presenting for the first time in Italy Frau C., Felix Gonzalez-Torres, Subodh Gupta and Susan Philipsz.
The exhibition GOD & GOODS does not focuses merely on religion but presents a group of artworks that, far from proposing any conclusion, place the individual before all types of question. Like religion, art is fuelled by an urgency and a necessity and this show wishes to read necessity through its elusive sources and indefinable consequences.
For further information please contact
t +39 0432 821211 , f + 39 0432 821229 press@villamanincontemporanea.it
Opening Saturday April 19 at 6 pm
Villa Manin Centre for Contemporary Art
piazza Manin 10, Passariano - Codroipo (UDINE) Italy
Opening Hours
Tuesday - Sunday 09am - 06pm
Monday closed