Arlecchino in Norvegia. His way of depicting and of trasforming the human character communicates a sense of late-expressionism, at least where his expression shows touches of critical irony.
The human landscapes of Lucio Diodati reveal the deep roots of artistic trends that had occurred in the first half of the last century. However, it is not easy to categorise this artist precisely, even if this might be achieved through a personal synthesis of some readings. His way of depicting and of trasforming the human character communicates a sense of late-expressionism, at least where his expression shows touches of critical irony, and perhaps even of amusement at the trasformations of the caracters presented.
His vision is strongly subjctive and goes behind the expressions on people's faces, pentrating the interlor being and scans a realitty that makes fun of itself.
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