The first solo exhibition of London-based artist Paul Hodgson. In his photographs, Hodgson draws on Renaissance and Neoclassical portraits that strived to affirm the social status and importance of the sitter. Hodgson openly utilises the same visual language - dramatic staging and lighting, the subjects posing with exaggerated gesture within a carefully constructed tableau - but employs it in order to subtly subvert, exploring the uncertainty and frailty of the contemporary human subject.
Houldsworth is pleased to present the first solo exhibition of London-based artist Paul
Hodgson. In his photographs, Hodgson draws on Renaissance and Neoclassical
portraits that strived to affirm the social status and importance of the sitter. Hodgson
openly utilises the same visual language - dramatic staging and lighting, the subjects
posing with exaggerated gesture within a carefully constructed tableau- but employs
it in order to subtly subvert, exploring the uncertainty and frailty of the contemporary
human subject.
In ‘Boy with Landscape’, he freely adapts the elements of Gainsborough’s ‘Blue Boy’
- contrapposto pose, muted blue palette and sylvan background- but the inner
confidence of his predecessor is replaced by a new, unfounded pride, as he hovers
nervously before a digitally enlarged urban space. In a similar manner, the motif of the
monumental, recumbent figure, familiar to us from Renaissance depictions of the Life
of Christ, is used to heighten the unexplained drama of ‘Collapsed Figure’ and
‘Collapsed Figure on Red Ground’. Both are fallen men, overcome with exhaustion or
failure, lying helplessly on the floor.
In each of Hodgson’s photographs, the strength of the composition and the flawless
mise-en-scene parallels the Renaissance process of recreating the observed world on
canvas. Hodgson uses these elements of ‘classical’ language as routes into his
pictures, as suggestive metaphors.
Yet the scenes are not necessarily meant to
evoke sympathy or compassion nor are they meant to confirm social stereotypes.
Hodgson is more concerned with presenting a scene that can be considered on a
personal and contemporary level. The positioning of the figures in ‘Rehearsal’ recalls
Mantegna’s ‘Dead Christ’: a man lies on his back, presented to the viewer in
fore-shortened perspective, accompanied by a seated figure.
The nature of their
relationship is ambiguous, as are their individual feelings and the seriousness of his
medical condition. The image itself is a framework, waiting for the hollowness of a
frozen moment to come alive again.
Since graduating from the Royal College of Art, London, Paul Hodgson has exhibited
in several group shows, both in and outside of London. He will be exhibiting in Art of
the Ideal in Verona in early 2002. Hodgson is a tutor of New Media at Richmond
University, London.
The gallery is open Monday - Friday 10 - 5.30, Saturday 10.30 - 16
Houldsworth Gallery
33-34 Cork Street London W1S 3NQ
Telephone: +44 (0)20 7434 2333
Fax: +44 (0)20 7434 3636