Carl Andre
Dieter Appelt
Shusaku Arakawa
Antonin Artaud
Frank Badur
Walter Benjamin
Joseph Beuys
Boris Bilinsky
Karl Blossfeldt
Eberhard Blum
Mel Bochner
Pierre Boulez
Stan Brakhage
Constantin Brancusi
Bertolt Brecht
KP Brehmer
Marcel Broodthaers
Trisha Brown
Balthasar Burkhard
John Cage
James Castle
Carlfriedrich Claus
Alvin Langdon Coburn
Merce Cunningham
Hanne Darboven
Götz Dipper
Theo van Doesburg
Arnold Dreyblatt
Charles und Ray Eames
Viking Eggeling
Peter Eisenman
Morton Feldman
Hubert Fichte
Oskar Fischinger
Thomas Florschuetz
Hollis Frampton
Werner Graeff
Rodney Graham
Erhard Grosskopf
Birgit und Wilhelm Hein
Ludwig Hirschfeld-Mack
Klaus Huber
Alfonso Huppi
Joris Ivens
Friedrich Jurgenson
Mauricio Kagel
Friedrich Kiesler
Paul Klee
Norbert Kricke
Peter Kubelka
Shigeko Kubota
Raimund Kummer
Rudolf von Laban
Mark Lammert
Barry Le Va
Bart van der Leck
Fernand Leger
Sol LeWitt
Gyorgy Ligeti
Greg Lynn
Bruno Maderna
Man Ray
Etienne-Jules Marey
Chris Marker
Agnes Martin
Jakob Mattner
Anthony McCall
Allan McCollum
Jonas Mekas
Henri Michaux
Laszlo Moholy-Nagy
Mehdi Moutashar
Nam June Paik
Gret Palucca
Antonio Panetta
PIPS:lab
Erwin Piscator
Cedric Price
Marcel Proust
Martin Riches
Bridget Riley
rosalie
Hermann Scherchen
Hanns Schimansky
Michael Schoenholtz
Arno Schmidt
Tomas Schmit
Dieter Schnebel
Paul Sharits
Michael Snow
Serge Spitzer
Christoph Steffner
Alfred Stieglitz
Karlheinz Stockhausen
Leopold Survage
Stefan Themerson
Mark Tobey
Cy Twombly
Edgard Varese
the vasulkas
Wolf Vostell
Konrad Wachsmann
Robert Walser
Peter Weibel
Mary Wigman
Iannis Xenakis
Bernd Alois Zimmermann
Walter Zimmermann
Hubertus von Amelunxen
Dieter Appelt
Peter Weibel
An exhibition by the Akademie der Kunste and the ZKM. It focuses on the multifaceted range of artistic processes that exists between the concept and the work. Approximately 450 artistic approaches by more than 100 artists have been brought together from international collections, the ZKM Karlsruhe and the archives of the Akademie der Kunste. Curated by Hubertus von Amelunxen, Dieter Appelt and Peter Weibel.
curated by Hubertus von Amelunxen, Dieter Appelt and Peter Weibel
An exhibition by the Akademie der Künste, Berlin, and the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe
Artists:
Carl Andre
Dieter Appelt
Shusaku Arakawa
Antonin Artaud
Frank Badur
Walter Benjamin
Joseph Beuys
Boris Bilinsky
Karl Blossfeldt
Eberhard Blum
Mel Bochner
Pierre Boulez
Stan Brakhage
Constantin Brancusi
Bertolt Brecht
KP Brehmer
Marcel Broodthaers
Trisha Brown
Balthasar Burkhard
John Cage
James Castle
Carlfriedrich Claus
Alvin Langdon Coburn
Merce Cunningham
Hanne Darboven
Götz Dipper
Theo van Doesburg
Arnold Dreyblatt
Charles und Ray Eames
Viking Eggeling
Peter Eisenman
Morton Feldman
Hubert Fichte
Oskar Fischinger
Thomas Florschuetz
Hollis Frampton
Werner Graeff
Rodney Graham
Erhard Grosskopf
Birgit und Wilhelm Hein
Ludwig Hirschfeld-Mack
Klaus Huber
Alfonso Hüppi
Joris Ivens
Friedrich Jürgenson
Mauricio Kagel
Friedrich Kiesler
Paul Klee
Norbert Kricke
Peter Kubelka
Shigeko Kubota
Raimund Kummer
Rudolf von Laban
Mark Lammert
Barry Le Va
Bart van der Leck
Fernand Léger
Sol LeWitt
György Ligeti
Greg Lynn
Bruno Maderna
Man Ray
Étienne-Jules Marey
Chris Marker
Agnes Martin
Jakob Mattner
Anthony McCall
Allan McCollum
Jonas Mekas
Henri Michaux
László Moholy-Nagy
Mehdi Moutashar
Nam June Paik
Gret Palucca
Antonio Panetta
PIPS:lab
Erwin Piscator
Cedric Price
Marcel Proust
Martin Riches
Bridget Riley
rosalie
Hermann Scherchen
Hanns Schimansky
Michael Schoenholtz
Arno Schmidt
Tomas Schmit
Dieter Schnebel
Paul Sharits
Michael Snow
Serge Spitzer
Christoph Steffner
Alfred Stieglitz
Karlheinz Stockhausen
Léopold Survage
Stefan Themerson
Mark Tobey
Cy Twombly
Edgard Varèse
the vasulkas
Wolf Vostell
Konrad Wachsmann
Robert Walser
Peter Weibel
Mary Wigman
Iannis Xenakis
Bernd Alois Zimmermann
Walter Zimmermann
“Notation” focuses on the multifaceted range of artistic processes that exists between the concept and the work. Works from all realms of art and dating from 1900 to today are placed in relation to one another: sign systems to do with literature, music, painting, choreography, architecture, photography, film and media art. Approximately 450 artistic approaches by more than 100 artists have been brought together from international collections, the ZKM | Karlsruhe and the archives of the Akademie der Künste.
By linking scientific calculation and artistic form, 20th century artists were in a position to render new realities visible. Modernism rediscovered the spiritual side of existence, immaterial phenomena, the ephemeral – morphic resonances, serial structures and sound waves – as a field of research for the arts. Thus the relationship between concept, notation, repetition and work was radically redefined; resulting in the draft processes themselves becoming autonomous artworks. These are now the main focus of the exhibition curated by the image-theorist Hubertus von Amelunxen, the artist Dieter Appelt and the media artist Peter Weibel. The exhibition was developed in collaboration with Angela Lammert from the Akademie der Künste, and Bernhard Serexhe from the ZKM | Karlsruhe.
The exhibition in Berlin will be accompanied by conferences, film screenings and guided tours as well as a comprehensive catalogue edited by Dieter Appelt, Hubertus von Amelunxen and Peter Weibel. Berlin: Akademie der Künste 2008, c. 350 pages, 300 colour and 130 black-and-white illustrations. Price: 45 euros, during the exhibition: 39 euros. ISBN 978-3-88331-123-4. http://www.fuerst-iven.de
Opening: Friday, Sept. 19th, 2008
Akademie der Kunste
Hanseatenweg 10 - Berlin
Tues-Sun 11am-8pm
Admission 6/4 euros. Admission free first Sunday of the month
Guided tours on Wednesday at 6 p.m. and Sunday at 11 a.m.
(included in the exhibition ticket)