Helga Groves, Increments and Shadows. This latest series of abstract works by Helga Groves continues her interest in modulation and rhythm, both formal processes associated with her earlier paintings and objects. Room Temperature, by Sam Small, is an exploration into the comfort zone of the domestic interior.
Helga Groves
Gitte Weise Gallery is pleased to announce the opening of Increments and
Shadows.
This latest series of abstract works by Helga Groves continues her interest
in modulation and rhythm, both formal processes associated with her earlier
paintings and objects.
The larger scale works in this exhibition continue to be informed by
Groves's apparent interest in painting the effects of light. These are not
only suggested through a translucency of colour and shadowing; a recurring
theme in her work, but are further evidenced by a predominantly white
painting palette.
The painting continues to feature fields of finely placed brush stokes over
subtly shaded areas of canvas. What has become a familiar presence in her
recent painting is the repetition of the squared yet individual brushstroke.
This optical interplay, when forming a pattern, appears to float across the
plane of the canvas creating shifts between underlying and surface colours,
whose inflections invoke a veritable geometric otherworld.
In contrast to her previous works, where she has directly responded to
specific locations and environments through consecutive residencies (since
1995 in Vietnam, 1998 in France, and more recently 2001 Bundanon), this new
series endeavors to evoke fictional places as purely painted spaces.
In the picture: Times of night and day. 1994.
oil paint, medium, graphite on linen.
8 parts, 56.0x 56.0cm each.
Opening Wednesday 10 April 2000 6PM - 8PM *please join us afterwards
at the Paddington Bowling Club*
Exhibition 10 April - 4 May 2002
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ROOM 35
SAM SMALL
Room Temperature
Room Temperature is an exploration into the comfort zone of the domestic
interior. Through the construction of cardboard models that have been
artificially lit and photographed, these large scale colour images become
curiously convincing representations of a not-so modern, but
well-remembered home. By using familiar textures, such as floral
wallpaper, a plush patterned carpet and a warm, homely glow, the corrugated
cardboard box is transformed into a peculiarly habitable space.
But what dominates these vacated rooms is an overwhelming sense of
nostalgia. They remind us of a home that, in the past, was able to satisfy
our emotional needs - security, stability, and privacy - as well as provide
us with a practical shelter from the world outside. Perhaps the redundancy
of such sentiment is most clearly represented in the materials of the model
interiors themselves. Like the packing boxes that carry our possessions
from one house to the next, these imaginary spaces have the potential to be
destroyed and discarded in an instant. Once again the photograph is
employed in both the documentation and creation of our collective memory.
Opening Wednesday 10th April 6 - 8pm *please join us afterwards
at the Paddington Bowling Club*
To be opened by Richard Grayson
Artistic Director Biennale of Sydney 2002
Exhibiton 10 April - 4 May 2002
For further information please contact
Gitte Weise Gallery 56 Sutherland Street Paddington NSW 2021 Australia
Ph/Fax +61 2 9360 2659