A group show of the Frank Cohen Collection that explores how a significant group of contemporary artists have responded to Modernism. The exhibition begins at the end of Modernism with two great works from the 1970s by the colour field painter Kenneth Noland. In the post-modern era artists have appropriated this aesthetic. Works by: John M Armleder, Mathias Bengtsson, Dunne & Raby, Gardar Eide Einarsson, Olafur Eliasson and others.
Artists John M Armleder, Mathias Bengtsson, Dunne & Raby, Gardar Eide Einarsson,
Olafur Eliasson, Gregor Hildebrandt, Sergej Jensen, Shiro Kuramata, Kenneth Noland,
Richard Prince, Anselm Reyle, Rudolf Stingel, Katja Strunz, Lee Ufan
The Frank Cohen Collection is delighted to present Minimal Means at Initial Access, a group show that explores how a significant group of contemporary artists have responded to Modernism.
The history of Modernism is in part an account of artists gradually reducing the means at their disposal in order to get closer to an essential truth in art. In painting and sculpture this led from Impressionism to Cubism and on further to Abstract Expressionism, Colour Field painting and finally Minimalism.
Concurrently, those artists influenced by the ready-mades of Marcel Duchamp utilised objects from everyday life and by changing the context in which they were perceived, turned them into works of art. Both these trajectories of artistic practice were ways of paring down the basic elements of art. In doing so the artists were emphasising what was necessary for a work of art to exist.
This exhibition begins at the end of Modernism with two great works from the 1970s by the colour field painter Kenneth Noland. In the post-modern era artists have appropriated this aesthetic. No longer seeking essential truth by reducing form and subject matter, the artists in Minimal Means play games with the art historical conditions of Modernism, using the precedents it set as a platform upon which to experiment.
Works by Rudolf Stingel, such as Untitled, 2005, assert a postmodern position and aesthetic that corresponds with other works in the exhibition, such as Campanula persicifolia, 2008, by John M Armleder. These works have the appearance of Modernist paintings but are using the reduced form and aesthetic as part of a wider project that includes various forms and media. Minimal Means will also showcase works from Cohen’s contemporary furniture and design collection, such as Pylon Chair by Tom Dixon and ‘Slice’ Chaise Longue by Mathias Bengtsson.
Always ahead of the trends in the contemporary art market, Frank Cohen has been collecting contemporary art for over thirty years, and this exhibition at Initial Access will showcase a part of his collection not before seen in the UK.
Initial Access opened on 19 January 2007, as a space to present exhibitions from Frank Cohen’s internationally important collection of contemporary art. It is sited on the outskirts of the millennium city of Wolverhampton, in two refurbished warehouses that provide 10,000 sq feet of exhibition space. Initial Access presents different aspects of the Collection in a series of exhibitions curated by David Thorp. The programme is designed to mount shows of new acquisitions to the collection, explore themes among works that may not have been seen before and give the public an opportunity to see more of the collection currently in store.
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