Wilfried Bauer
Wolfgang Bellwinkel
Sibylle Bergemann
Thierry Buignet
Dietmar Buhrer
Norbert Enker
Thomas Ernsting
Harald Hauswald
Kai-Olaf Hesse
Karl-Ludwig Lange
Andre Kirchner
Barbara Klemm
Eberhard Kloppel
Werner Mahler
Hans W. Mende
Nelly Rau-Haring
Karsten de Riese
Gilles Peress
Regina Schmeken
Ralf Schuhmann
Maurice Weiss
Matthias Harder
The Berlin Wall in the eyes of photographers. On the Day of German Unity and on occasion of the 20th anniversary, the museum present the historical change in an individual and, at the same time, exemplary manner in 140 works by 21 renowned photographers. The selected photographers have accompanied this revolutionary political facts during the autumn of 1989 and its subsequent developments and thus produced historical source material of high significance.
An exhibition by the foundation Brandenburger Tor
organized by Matthias Harder
On October 3, 2009, the Day of German Unity, and on occasion
of the 20th anniversary of the fall of the Berlin Wall, the
Foundation Brandenburger Tor in the Max Liebermann House will
open the exhibition Szenen und Spuren eines Falls. Die Berliner
Mauer im Fokus der Photographen ́(Scenes and Traces of a Fall.
The Berlin Wall in the eyes of photographers). This historical
change is presented in an individual and, at the same time,
exemplary manner in 140 works by 21 renowned photographers.
The Foundation Brandenburger Tor has its seat directly adjacent
to Germany' s national monument. For the Foundation it is both
an opportunity and an obligation to document the fall of the
Berlin Wall exactly here at this place, which formed the centre of
events at the time.
The exhibition puts together groups of works and individual
pictures by Wilfried Bauer, Wolfgang Bellwinkel, Sibylle
Bergemann, Thierry Buignet, Dietmar Bührer, Norbert Enker,
Thomas Ernsting, Harald Hauswald, Kai-Olaf Hesse, Karl-Ludwig
Lange, André Kirchner, Barbara Klemm, Eberhard Klöppel,
Werner Mahler, Hans W. Mende, Nelly Rau-Häring, Karsten de
Riese, Gilles Peress, Regina Schmeken, Ralf Schuhmann and
Maurice Weiss.
The selected photographers (and some of their colleagues) have
accompanied this revolutionary political change during the
autumn of 1989 and its subsequent developments and thus
produced historical source material of high significance. In the
exhibition we witness exuberant avowals of friendship against
the backdrop of the provisionally opened Wall and we look into
the faces of still grim looking and frustrated border guards and
customs officers whose days were numbered.
On November 12, CNN star reporter, Peter Arnett, was already
reporting live from the Brandenburg Gate. The coverage of this
topic by the international media, which is documented in some
of these photos, testifies to the international significance of the
fall of the Berlin Wall.
Time and again it is the Wall itself, covered with creative paintings
in the West and in natural grey on the Eastern side, which forms
the focus of the pictorial interest. The wall in the hinterland is also
depicted occasionally.
The open Wall - from prominent places such as Potsdamer or
Pariser Platz to remote bridges between Johannisthal and Rudow
- remains the Leitmotif. The first moments of the connection
between East and West, when a break was cut with heavy-duty
gear, are referred to over and over again.
The exhibition "Scenes and Traces of a Fall" shows the various
aspects of the fall of the Wall using individual styles and different
approaches set anywhere between journalistic and classic
architectural photography. Some describe the fall of the Wall
spontaneously on location with all of its inherent sense of drama,
others photographed either systematically or with a certain
reserve as if they did not trust neither the situation nor
themselves.
Taken together, the result is a visual study of German-German
self-consciousness, for which photography seems the ideal
medium. Despite the debate about the authenticity of pictures,
photography is such a powerful medium that it is able to
stimulate, guide or even eclipse our own associations.
The exhibition is accompanied by a bilingual catalogue
(German/Engl.) published by Nicolai-Verlag, Berlin, including
texts by Monika Grütters, Norbert Lammert and Matthias Harder.
Image: Thomas Ernsting, Maueröffnung an der Bernauer Straße Berlin 1989 © Thomas Ernsting / Agentur Bilderberg
Janet Alvarado Head of the Foundation's Office, Consultant for Cultural Affairs
Press Contacts and Public Relations
Tel: (030) 22633016 Fax: (30) 22633014 mail: janet.alvarado@stiftungbrandenburgertor.de
Project-related Public Relations office:
Nadine Dinter – public relations + art administration
Fasanenstraße 70, 10719 Berlin mail: presse@nadine-dinter.de Tel: 030 39887411
Press Preview: 02.10.2009, at 11.00 a.m.
Herausgegeben von der Stiftung Brandenburger Tor Max Liebermann Haus
Pariser Platz 7 D-10117 Berlin
Opening hours: Mon, Wed, Thurs, Fri 10am-6pm . Sat, Sun 11am-6pm