Julien Berthier
Gelitin
Piero Golia
Leopold Kessler
Yamashita+Kobayashi
Enrique Lista
Aleksandra Mir
Gianni Motti
Paola Pivi
Wilfredo Prieto
Tere Recarens
Xu Zhen
David Arlandis
Javier Marroqui'
Humour in current art
Curators David Arlandis and Javier Marroquí
Artists:
Julien Berthier (Besançon, France, 1975)
Gelitin (Wien, Austria; from 1993 they began exhibiting internationally)
Piero Golia (Naples, Italy, 1974)
Leopold Kessler (Munich, Germany, 1976)
Yamashita+Kobayashi (Chiba, Japan, 1976/1974)
Enrique Lista (Cambre, A Coruña, Spain, 1977)
Aleksandra Mir (Lubin, Poland, 1967)
Gianni Motti (Sondrio, Italy, 1958)
Paola Pivi (Milan, Italy, 1971)
Wilfredo Prieto (Sancti Spiritus, Cuba, 1978)
Tere Recarens (Barcelona, Spain, 1967)
Xu Zhen (Shangai, China, 1977)
The group exhibition 'Things that only an artist can do' is part of a research that analyses
the presence of humour in current art. The exhibition brings together twelve artists, all share the
same artistic references, and, above all, share a work methodology. The works here exhibited are
remnants of actions, records, documentation, or devices that speak of their projects.
MARCO of Vigo opens its 2010 programming with a group project coproduced with MEIAC of
Badajoz and curated by David Arlandis and Javier Marroquí. 'Things that only an artist can do' arises as part of a curatorial research which since 2005 analyses the presence of humour in
contemporary art, from different perspectives.
Here, the project focuses on the rise of certain artistic attitudes where humour shows up in nearly
absurd manner. The exhibition brings together works by a tweleve artists, who insist on projects
that entail a great effort. An irrational and disproportionate effort in relation to the end result.
In the curator's words, 'To undertake an absurd, or out of context action always implies a comic
charge for the observer, but when, furthermore, that action is carried out with intensity, with an
absolute dedication and with a huge effort, and in full awareness that this effort is totally useless,
we have a square-cubed absurdity, and, therefore, a square-cubed comic charge. The effort acts
as an element which reinforces absurdity, its function is that of exaggerating. Exaggeration has
always had an important role in humour, by being an element of distortion which removes us from
reality and takes us to the comic realm through incoherence.'
'Things that only an artist can do' deals with the evolution of the concept of an artist, with
their place in society and with the reconsideration of the function of art. What is it that makes
them reach extremes where absurdity and humour are stronger than practical reason? Without a
doubt, it is a new attitude, a new way of facing their creation, and a way of situating themselves
in the world. The artists present in this exhibition share the same references, and, above all, share
a work methodology, which is far from the production of objects and that tackles the action itself.
The pieces shown in the galleries are most of them results, consequences, documentation or
vestiges of an action.
Piero Golia's installation, remembrance of his canoe crossing through the Adriatic;
Yamashita+Kobayashi's video, Infinity, register of an action without human presence; Wilfredo
Prieto's installation — a plant, a wheelbarrow and a photograph — , trace of the performance
executed on the island of Curaçao; Xu Zhen's video and photographs, showing the 18-day 'feat'
on a van; Gianni Motti's stroll along the tunnel of the CERN LHC hadron collider in Geneva; Tere
Recarens's video, showing the artist 'sweeping' the clouds over Berlin; the video-prologue of the
1999 performance by Aleksandra Mir, or the one with goldfishes on a plane, by Paola Pivi; the
mail of the unfruitful action by the Gelitin collective; the balcony leading Julien Berthier's
proposal, or Leopold Kessler's installation, Diplom, which registers the unwinding of a 1,200m
cable along the city. And as an example of work in progress, Enrique Lista's installation, which
began back in September 2009 with the drafting of an agreement on work production, and which
will go on until August 2010.
About the curators
In 2002, David Arlandis (Valencia, 1979) and Javier Marroquí (Dolores, Alicante, 1978) join in
a collaborative team work applied to the field of cultural production and focussed on research,
curatorship and critics. This year they begin with exhibition programming, among them: Sobre
una realidad ineludible. Arte y compromiso en Argentina in MEIAC (Badajoz) and CAB (Burgos); I
Ciclo de Vídeo Internacional ALBIAC 06 (Almería), Empieza el juego in La Casa Encendida
(Madrid), Carte Blanche in Le Comissariat (Paris), Hay algo de revolucionario en todo esto in Sala
Parpalló and Centre Cultural la Mercè (Girona), Cine Infinito in Sala la Gallera (Valencia), Art for
Fun in Casal Solleric (Palma), Mapping Valencia in MhV (Valencia), Positive Critical Imagination for
Edinburgh Art Festival (Edimburgo), Tragicomedia (Cádiz and Sevilla), and Gabriela Golder.
Habitada (Valencia). They are now organising a research about 'the crisis of cares', to be held in
Valencia, Zagreb and Praga.
Catalogue
On the occasion of the show, MARCO of Vigo and MEIAC of Badajoz has published a trilingual
catalogue (Galician-Spanish-English) which includes, besides a text by the curators, two essays
about humour in contemporary art by David G. Torres and Mami Nataoka, texts by different
authors —David Armengol, Montse Badía, David Barro, Mery Cuesta, Álvaro de los Ángeles, José
Luis Pérez Pont— about each of the works in exhibition, the artist's biographies and images of the
works.
Image: Piero Golia, Going to Tirana, 2001. Installation (video still). Courtesy of the artist
Production:
MARCO, Museo de Arte Contemporánea de Vigo / MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz
Communication & Press Department
Marta Viana Tomé marta.viana@marcovigo.com
Pilar Souto Soto pilar.souto@marcovigo.com
Tel. +34 986 113908 / 113903
Fax +34 986 113901
MARCO, Museo de Arte Contemporánea de Vigo
Rúa Príncipe 54 - 36202 Vigo (Pontevedra). Spain
Exhibition rooms on the first floor
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