The Kunst Halle Sankt Gallen starts the year of its 25th anniversary with two exhibitions by the two young artists. On the subject of 'Mensch zu Sein' (Being Human) Graf he invites us into a space-filling installation designed for the Kunst Halle, in which we stride through a whole life, from birth to death, in fast motion. Philipsz arranges a room in the Kunst Halle on a purely auditory level with the sound work 'From the Beginning', in which she spins a web made up of various cultural references (music, literature, film) in order to address the subject of life and death in a subjective way.
As a beginning to the 25th anniversary of Kunst Halle Sankt Gallen we are showing
two exhibitions which could not be more opposite on a formal level with the young
Zurich artist Patrick Graf and the Scottish sound artist Susan Philipsz. In terms
of content one point of contact is the life cycle, which Graf makes a subject of
with his playful installation whose visual impact is strongly contrasted by Susan
Philipsz’s calm audio work.
Patrick Graf creates new worlds full of fantasy and (black) humour in his
colourful, wild paintings, drawings, texts and objects. With «Mensch zu Sein»
(«Being Human») he invites us into a space-filling installation, created for the
Kunst Halle, in which we stride through a whole life, from birth to death, in fast
motion. Here existence confronts us as a game in which we must collect points to
make progress and in which we cannot make all the decisions ourselves. From the
comforting warm placenta the visitor reaches the first phase of life in which he
is cared for and pampered. During our schooldays we catch glimpses of adult life.
However, we are only onlookers who must first pass through other stages of life
before we may take part in the grown-ups’ game. In our youth we are concerned with
questions of our own identity while at the same time our choice of job looms:
should we do a commercial apprenticeship, serve kebabs, work in a bank or as a
farmer? In one of these professions visitors move across the market place of the
exhibition, symbol for the middle of life and adulthood. After a phase as a
pensioner we finally arrive in an old people’s home and from then on we totter
unsteadily towards death. In his life installation Patrick Graf plays with
stereotypes which we have from life, people and occupational groups and shows us
the limits of our freedom to shape our lives. The artist will mostly be present
during the show, giving instructions for the game and using a part of the
exhibition space as a studio.
Susan Philipsz's interest lies in the exploration of the sculptural values of
sound as well as its psychological and emotional effects. Her sound works are
characterised by intimate singing which appears to be more directed towards the
singer herself than towards the audience. Besides public space she is now
increasingly placing them in gallery and museum spaces because in such controlled
environments silence and sound meet and can develop a greater effect. The delicate
musical work «From the Beginning», which Susan Philipsz is showcasing in a room at
the Kunst Halle, radiates an almost meditative atmosphere in its minimalist
presentation. Three songs, in which voice and vibraphone alternate, are played
through the loudspeakers: the ballad which announces the tragic death of Sergeant
Howie, the innocent protagonist of the classic horror film The Wicker Man; John
Cage’s repetitive composition The Wonderful Widow of Eighteen Springs, which he
wrote in 1942 with a text originating from James Joyce’s Finnegan’s Wake; John
Lennon wrote the last piece – from The Beatles’ album Revolver – while reading The
Tibetan Book of the Dead under the influence of Timothy Leary’s commentaries in
The Psychedelic Experience. Susan Philipsz spins a web of various cultural
references to take up the theme of life and death in a subjective way. The
vibraphone serves to emphasise the subject matter suggested by the lyrics: the
elegy-like sense of collapse when confronted with a change in consciousness. «From
the Beginning» is reminiscent of a lullaby, the evocation of a dream to which one
subjugates oneself from the cradle to the grave, over and over again.
Patrick Graf (*1981) lives and works in Zurich. In 2008 he graduated from the
Zurich University of the Arts (Master of Fine Arts). He has so far had two solo
exhibitions at the HAAS & FISCHER gallery: The Ypsilonia Age (2008) and Der
soziale Aufstieg (2009). The artist has also participated in the following group
exhibitions: The Living Room, HAAS & FISCHER, Zurich (2009/2010); Kunst Zürich;
Mahlzeit, Cabaret Voltaire, Zurich (2008); Conrad / Graf, Neustadtgasse 21 Raum
für Zeitgenössische Kunst, Winterthur; Festival der Künste, Hochschule für
Gestaltung, Zurich (2007); 20 Jahre Bildende Kunst, Kunsthalle Zurich; Vera Icon,
The Bad Gallery, Zurich (2006). The publication Episoden aus dem Ypsilon’schen
Zeitalter (Edition Patrick Frey) appeared in 2008.
Susan Philipsz (*1965 in Glasgow) lives and works in Berlin. The most recent of
the artist’s solo exhibitions were at the following institutions and galleries
(selection): Here Comes Everybody, Tanya Bonakdar Gallery, New York; We‘ll All Go
Together, Highline, 25th St, New York; Isabella Bortolozzi Galerie, Berlin; Alpine
Architecture (with Monica Sosnowska), Alte Fabrik, Rapperswil; More Than This,
Juan Miro Foundation Gardens, Yale Art Gallery, Mallorca (2008); Susan Philipsz,
CGAC, Santiago de Compostela; Did I Dream You Dreamed About Me, Mitzuma Art
Gallery, Tokyo; Susan Philipsz, Art Statements Basel (2007). The artist has also
recently participated in the following group exhibitions (selection):
Unmonumental, The New Museum, New York; Gods and Goods, Villa Manin, Udine; The
Sea, The Sea, Folkstone Triennial New Commission, Sydney Biennale; U Turn,
Copenhagen Triennale; Mirrors, MARCO – Museo De Arte Contemporáneo de Vigo (2008);
Skulptur Projekte Münster 07; For Ree, Marc Foxx Projects, Los Angeles; Madrid
Abierto, Madrid; Busan Biennale, Busan (2007).
Art Lunch
Thursday, 15 April 2010, 12 a.m.
Guided tour with lunch prepared by Fawzy Emrany (Artist-in-Residence by Pro
Helvetia in St. Gallen)
The Kunst Halle Sankt Gallen is supported by St. Gallen City Council,
Kulturförderung Kanton St. Gallen, Swisslos, Migros-Kulturprozent, Fondation
Nestlé pour l'Art (Partenariat) and the St. Galler Tagblatt. The educational
programme is made possible by Raiffeisen.
If you have any enquiries or would like further information, please contact
Maren Brauner brauner@k9000.ch.
Press preview: Friday, 19 February 2010, starting 11 p.m.
Opening: Friday, 19 February 2010, 6 p.m.
Kunst Halle Sankt Gallen
Davidstrasse 40 CH-9000 St. Gallen
Opening hours:
Tue – Fri, 12 a.m. – 6 p.m.
Sat / Sun, 11 a.m. – 5 p.m.
Admission
Regular: CHF 7.00
Students with ID: CHF 2.00