Undermining the Overview: Part 1. Every Sunday and Wednesday at 17.00 SMART Project Space presents free video programs in Smart Cinema. This video program accompanies the exhibition, Someone To Watch Over Me: January 12 - February 16, 2003.
A Close Watch (Undermining the Overview: Part 1)
Every Sunday and Wednesday at 17.00 SMART Project Space presents free video
programs in Smart Cinema. This video program accompanies the exhibition,
Someone To Watch Over Me | January 12 - February 16, 2003
Sunday, January 19 and Wednesday, January 22, 17.00 hrs.
Rashid Mashawari - Tension (1998, Palestine, 26 min.)
A study in the malaise of living under the panoptic watchful eye of security and
control which is in turn exposed to close and detached scrutiny.
Michael Klier - Der Riese (1983, Germany, 82 min.)
Klier's by now immortal compendium of urban surveillance material from traffic
control to department store security practice reaches symphonically paranoid
heights and finally resolves in an image of cathartic and breathless paradox.
Kurt Sayenga - Spies Above (1996, USA, 55 min.)
Taking a little more distance than Der Riese, this work collects the products of
industrious spy satellites in space and presents a confidential history of the
secret CIA agency which initiated and maintains their use since its inception
during the Eisenhower fifties.
__________
Sunday, January 26 and Wednesday, January 29, 17.00 hrs.
Jane Campion - Passionless Moments (1993, Australia, 13 min.)
An incisive panoptic scrutiny of a few particular specimens at a few particular
moments that prove particularly pertinent.
Manthia Diawara - Rouch In Reverse (1995, Mali/U.K., 51 min.)
A conceptual coup of sorts: an effort at what its maker calls "reverse
anthropology"; the first work to look at European anthropology from the
perspective of its subjects. Diawara's provocative tape examines the
anthropological enterprise through the work of reknowned ethnographic film-maker
Jean Rouch.
Gene Searchinger - Paradox on 72nd Street (1980, USA, 55 min.)
The intersection of West 72nd street and Broadway in New York City becomes,
under close scrutiny, a microcosm of human interaction. This active and attuned
surveillance delineates the struggle between individualism and collectivity.
Systems and institutions which provide order and control are analysed as well
as the unconscious gestures and modes of etiquette which human beings impose on
themselves. This work was suggested by ideas in Philip Slater's book The Pursuit
of Loneliness and was made with the collaboration of sociologist Slater and
biologist Lewis Thomas.
___________
Sunday, February 2 and Wednesday, February 5, 17.00 hrs.
Mori Fumitake - A Tick By the White Tower (2000, Japan, 30 min.)
Having grown up under the panoptical gaze of the impassive central tower of his
high school campus, our inveterately self-conscious hero is determined to become
a tick that might risk stopping time.
Alan and Susan Raymond - American Family Revisited (1990, USA, 58 min.)
Another anthropological/media turnabout in the form of an epilogue which
provides a ten years after update on the Loud family: the subjects of the
Raymond's pioneering documentary program An American Family of the seventies and
the true dawn of "reality TV". Here is a case where the subjects have been
completely altered by the process of scrutiny and tele-visual surveillance.
Sachiko Hamada and Scott Sinkler - Inside Life Outside (1988, USA, 57 min.)
Following a closely knit group of homeless people living in a lower east side
shantytown over a two and a half year period. This work proposes an alternate
anthropology of the self where all categories are mediated and found
contradictory. Unlike the typical television family, these people thrive on the
self awareness that the watchful eyes inspire.
____________
Sunday, February 9 and Wednesday, February 12, 17.00 hrs.
Jane Campion - A Girl's Own Story (1991, Australia, 27 min.)
The dawning of rigorous self-scrutiny and its reflexive desire: a clarion call
for "someone to watch over me".
Danielle Smith - Song of Umm Dalaila (1993, Algeria, 35 min.)
Smith shot this work in a Sahrawi refugee camp in Algeria concentrating on the
women which made up 80% of the adult population of the camp. What interests us
here is how these women come to assume primary responsibility for the survival
of the refugees and offer a different paradigm of the watchful eye of scrutiny.
Nina Rosenblum- Through the Wire (1990, USA, 77 min.)
The brutal flipside of the implications of Umm Dalaila: Locked in a basement,
deprived of sleep, psychologically tormented, strip searched daily by male
guards, video taped in the bathroom-three women are political prisoners in the
USA-where they say this can't happen. In a high security dungeon in Lexington,
Kentucky is the United States government conducting secret experiments in
brainwashing and behavioural modification on these women- Is this what we can
expect from the brave new world of panoptic security-
____________
Sunday, February 16 and Wednesday, February 19, 17.00 hrs.
Sven Augustijnen - Something on Bach (1998, Belgium, 37 min.)
The rear window surveillance approach is taken to a rehearsal of Alain Platel's
Les Ballets C. de la B. seen through the windows of the rehearsal space from a
vantage point across the street which produces a multivalent reading of a
complex set of events.
Ross McElwee - The Six O'Clock News (1997, USA, 102 min.)
We now seize that ultimate daily moment of scrutiny and world surveillance: the
six o'clock news and what's more we choose to engage it directly and call its
bluff. McElwee decides to enter into the events of the news when they come
close to home after a hurricane has leveled the town where he has previously
filmed and where his friend Charleen Swansea, a frequent McElwee subject, lives.
Thus a new journey for the ever watchful eye begins. This work also
constitutes a sequel of sorts to Time Indefinite included in last month's
program "Like Real".
SMART Project Space | 1st Constantijn Huygensstraat 20, Amsterdam +31 (0)20 427
5951