Independent Curators International
Caleb Belden
Mary Bordeaux
Ally Drozd
Judge Evans
Portland Community Court
Laura Deutch
Gary Freitas
Jorge Figueroa
Sylvia Gray
the Elsewhere Collaborative
Jim Grosbach
Nicole Harvieux
Warren Hatch
Jake Herman
Maiza Hixson
David Hoelzinger
Howard Kleger
Cymantha Diaz Liakos
Ellen Lesperance
Jonathan Lindsay
Dennis Newell
Bob Newland
Raymond Mariani
Alan Massey
Jim McMillan
Jennifer McCormick
Beatrice Moore
The Mutant Pinata Show
Joseph Perez
Bernie Peterson
Bruce Price
David Rosenak
JJ Ross
Andrew Sgarlet
Robert Smith
Shabazz
Rudy Speerschneider
Andrea Sweet
James Wallner
Presley H. Ward
Paul Wilson
Harrell Fletcher
Jens Hoffmann
The show consists of works by five to seven 'artists' from each of the museum's participating states, and is traveling the nation. The organizers of this exhibition sought remarkable, under-appreciated work by anyone and everyone, especially people who may not be considered a part of the art world with the goal of questioning traditional conceptions of art, artists, professionalism and creative production in our culture in general.
curated by Jens Hoffmann, Harrell Fletcher
People’s Biennial is an exhibition that examines the work of artists who operate outside the sanctioned mainstream art world. As such it recognizes a wide array of artistic expression present in many communities across the United States. Working in cities that are not considered the primary art capitals, the 36 artists in this exhibition present significant contemporary work ranging from documentary photographs of military life in the heartland, to video works focusing on the biological activity in urban ecosystems, and complex, minute marble-like sculptures carved out of soap bars. In covering even the little-known, the overlooked, the marginalized, and the excluded, the exhibition represents a real snapshot of creative practice in America today.
People’s Biennial also proposes an alternative to the standard contemporary art biennial, which mostly focuses on art from a few select cities (New York, Los Angeles, occasionally Chicago, Miami or San Francisco). It questions the often exclusionary and insular process of selecting art that has at times turned the spaces where art is exhibited into privileged havens seemingly detached from the realities of everyday life.
The exhibition is the result of a year of research into the creative communities of five American cities: Portland, Oregon; Rapid City, South Dakota; Winston-Salem, North Carolina; Scottsdale, Arizona; and Haverford, Pennsylvania. In each place, the curators collaborated with an art institution and participated in a series of public events and open-calls, meeting hundreds of artists, which led to the selection of the works on view.
Image: Bob Newland, Keepin’ kids off drugs in South Dakota, 1983
Opening Celebration on Friday, October 28, 2011, 7-9 pm
Scottsdale Museum of Contemporary Art SMoCA
7374 East Second Street - Scottsdale, AZ 85251
new hours (starting oct 15):
closed mondays
tuesday, wednesday 12 pm - 5 pm
free thursday 12 pm - 8 pm
friday, saturday 12 pm - 10 pm
sunday 12 pm - 5 pm
*closed on major holidays
admission:
$7 adults
$5 students
free smoca members
free 15 and under
free on thursdays