Across the road. Political, anything but conventional, surreal - Wewerka's objects, installations and films adopt a stance on the present and observe everyday life and unctions with a flair for details.
“Gifted deformer of the ordinary” – this is how the artist-designer-architect Stefan Wewerka
has been characterized.
Born in Magdeburg in 1928, Stefan Wewerka studied in post-War Berlin at the Academy of Fine
Arts. His first chair sculptures and multiples were produced in 1961 – items that Wewerka cut
up and reassembled in a new way. In 1967 he invented “Trikolore zum Zerreißen” (Tricolor to
be ripped apart): a French flag that could be divided up into three pieces by means of zips. His
comment on Germany 1989: a hinge offered a makeshift way of connecting a five-mark piece
with an East German coin.
Political, anything but conventional, surreal – Wewerka’s objects, installations and films adopt
a stance on the present and observe everyday life and unctions with a flair for details. His
chair sculptures, e.g. his Classroom Chair or Rubber Chair, put our conventional perception to
the test – indeed, they even shy away from their most elementary function: sitting.
Shrewdly ironical, a thinker outside the box, he defines the point where art and everyday
culture intersect. He has been designing utilitarian furniture since 1977 – this too, in his own
way: for him, the kitchen area becomes a “kitchen tree” a desk something anti-hierarchical,
and a seating area a large building.
Drive and imagination characterize his initial approach to his individual works. Here, drawing
forms a fundamental component of his design process. In sketches, Wewerka jots down things
that he has experienced and seen. He thinks asymmetrically and uses this to come up with
new designs. By altering shapes, something comparable to undergoing a metamorphosis,
Wewerka transforms destructive impulses into artistic ones. “Yesterday or tomorrow or today,
past, future and present [... are] one fused entity” – as he puts it. Stefan Wewerka hovers
between the everyday and art, showing with relish how familiar things can be thrown off
balance.
The exhibition of Die Neue Sammlung – The International Design Museum Munich – is being
realized in close cooperation with the artist.
Image: Stefan Wewerka, Classroom Chair, design: 1970; multiple. Wood, sprayed red. Owner: Paul Schad. Photo: Die Neue Sammlung - The International Design Museum Munich (A. Laurenzo). © VG BildKunst 2012
Further information:
Dr. Corinna Rösner | Die Neue Sammlung – The International Design Museum Munich
T +49 (0)89 272725-0
E-Mail: presse@die-neue-sammlung.de
Tine Nehler M.A. | Head of the Press Department
Pinakothek der Moderne
T +49 (0)89 23805-286 | F +49 (0)89 23805-125
E-Mail: presse@pinakothek.de
Homepage: http://www.die-neue-sammlung.de/
Press conference: 10.10.2012, 12:30 – In the presence of the artist
Opening: 10.10.2012, 19.00
Die Neue Sammlung – The International Design Museum Munich
Pinakothek der Moderne
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